Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach's 'Mercure, Scene 3: Final - Rapt de Proserpine' came out on June 14, 1999. With Mercure, Scene 3: Final - Rapt de Proserpine being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Satie: Parade, Gymnopédies, Mercure & Relâche". In this album, this song's track order is #19. In terms of popularity, Mercure, Scene 3: Final - Rapt de Proserpine is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Mercure, Scene 3: Final - Rapt de Proserpine by Erik Satie, Orchestre Symphonique et Lyrique de Nancy, Jerome Kaltenbach having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Album for the Young, Op. 39: No. 3. Mamma (Maman) | Pyotr Ilyich Tchaikovsky, Carol Rosenberger | G Major | 0 | 9B | 87 BPM | ||
3 Morceaux en forme de poire *: 3 morceaux en forme de poire | Erik Satie, Gábor Eckhardt, Klara Kormendi | C Major | 0 | 8B | 133 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM | ||
Limu, limu, lima (Arr. Schindler for Piano) | Lang Lang | E Minor | 0 | 9A | 69 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Gnossiennes: n° 5 | Erik Satie, Alexandre Tharaud | G Major | 0 | 9B | 73 BPM |
Section: 0.7142384052276611
End: 0.7178471088409424