Vedi quanto adoro (Didone abbandonata), D. 510
Franz Schubert, Arleen Auger, Graham Johnson
Schubert: Hyperion Song Edition 9 – Schubert & the Theatre
4:32 January 1, 1991
BPM
168
Key
F Minor
Camelot
4A

Embed

Share Link

Vedi quanto adoro (Didone abbandonata), D. 510 - Franz Schubert, Arleen Auger, Graham Johnson Information

Acousticness
99%
Danceability
35%
Energy
4%
Instrumentalness
0%
Liveness
9%
Loudness
67%
Speechiness
7%
Valence
9%
Popularity
Loudness
-19.922 dB

Summary

"Vedi quanto adoro (Didone abbandonata), D. 510" by Franz Schubert, Arleen Auger, Graham Johnson was released on January 1, 1991. With this song being about 5 minutes long, at 4:32, "Vedi quanto adoro (Didone abbandonata), D. 510" by Franz Schubert, Arleen Auger, Graham Johnson is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "Schubert: Hyperion Song Edition 9 – Schubert & the Theatre". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. The popularity of Vedi quanto adoro (Didone abbandonata), D. 510 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Vedi quanto adoro (Didone abbandonata), D. 510 BPM

With Vedi quanto adoro (Didone abbandonata), D. 510 by Franz Schubert, Arleen Auger, Graham Johnson having a BPM of 168 with a half-time of 84 BPM and a double-time of 336 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.

Vedi quanto adoro (Didone abbandonata), D. 510 Key

F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro by Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio VivaldiConcerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. AllegroCologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio VivaldiB Minor310A123 BPM
Ravel: Jeux d'eaux, M. 30 by Maurice Ravel, Monique HaasRavel: Jeux d'eaux, M. 30Maurice Ravel, Monique HaasA♭ Major24B78 BPM
13 Pieces, Op. 76: No. 2. Etude by Jean Sibelius, Olli Mustonen13 Pieces, Op. 76: No. 2. EtudeJean Sibelius, Olli MustonenG Major19B92 BPM
Kamarinskaya (Air russe varie) by John Field, Miceal O'RourkeKamarinskaya (Air russe varie)John Field, Miceal O'RourkeB♭ Major16B92 BPM
Suite bergamasque, L. 75: III. Clair de lune by Claude Debussy, Seong-Jin ChoSuite bergamasque, L. 75: III. Clair de luneClaude Debussy, Seong-Jin ChoD♭ Major03B135 BPM
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio by Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber OrchestraCello Concerto No. 1 in C Major, Hob. VIIb:1: II. AdagioFranz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber OrchestraF Major17B62 BPM
Suite No. 3, P. 172: I. Italiana: Andantino by Ottorino Respighi, RTÉ National Symphony OrchestraSuite No. 3, P. 172: I. Italiana: AndantinoOttorino Respighi, RTÉ National Symphony OrchestraB♭ Major16B94 BPM
Sonata in D Minor, K. 9 by Domenico Scarlatti, Ivo PogorelichSonata in D Minor, K. 9Domenico Scarlatti, Ivo PogorelichD Minor07A94 BPM
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino by Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo ChaillyAntiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. AndantinoOttorino Respighi, Orchestra Filarmonica Della Scala, Riccardo ChaillyB♭ Major16B172 BPM
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro by Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena ZemanovaConcerto grosso No. 1 in D Major, Op. 6: II. Largo - AllegroArcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena ZemanovaD♭ Major23B146 BPM
ISRC
GBAJY9100902
Label
L-M Records/RCA Records

Section: 0.7441840171813965

End: 0.7503089904785156