Raaf Hekkema, Calefax, Arthur Klaassens's 'Sonata sopr'il soggetto Reale: III. Andante (After J.S. Bach's BWV 1079)' came out on October 9, 2020. The duration of Sonata sopr'il soggetto Reale: III. Andante (After J.S. Bach's BWV 1079) is about 3 minutes long, at 3:15. Based on our data, "Sonata sopr'il soggetto Reale: III. Andante (After J.S. Bach's BWV 1079)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 15 in Bach's Musical Offerings by Raaf Hekkema, Calefax, Arthur Klaassens. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Sonata sopr'il soggetto Reale: III. Andante (After J.S. Bach's BWV 1079) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata sopr'il soggetto Reale: III. Andante (After J.S. Bach's BWV 1079) by Raaf Hekkema, Calefax, Arthur Klaassens is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El cant dels ocells (Version for Cello & String Quartet) | Pablo Casals, Ofra Harnoy, Orford String Quartet | E♭ Minor | 0 | 2A | 87 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Sinfonia for Strings and Basso Continuo in C Major (From "Il Giustino RV 717"): II. Andante | Antonio Vivaldi, Concerto Köln | B Minor | 1 | 10A | 176 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Thematis Regii Elaborationes Canonicae II (After J.S. Bach's BWV 1079) | Raaf Hekkema, Calefax, Arthur Klaassens | G Minor | 2 | 6A | 81 BPM | ||
Violin Sonata in A Major, Op. 5 No. 6: I. Grave | Arcangelo Corelli, Enrico Onofri | G Major | 1 | 9B | 131 BPM | ||
Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 167 BPM | ||
The Seasons, Op. 37b: X. October (Autumn Song) | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D Minor | 0 | 7A | 78 BPM |
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