Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan's ' "Symphony No. 4 In F Minor, Op. 36, TH.27: 3. Scherzo. Pizzicato ostinato - Allegro" was released on its scheduled release date, January 1, 1993. This song is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. There are a total of 4 in the song's album "Tchaikovsky: Symphony No.4". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Based on our statistics, Symphony No. 4 In F Minor, Op. 36, TH.27: 3. Scherzo. Pizzicato ostinato - Allegro's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Symphony No. 4 In F Minor, Op. 36, TH.27: 3. Scherzo. Pizzicato ostinato - Allegro by Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | D♭ Major | 0 | 3B | 174 BPM | ||
Concertino for Clarinet and Orchestra in E-Flat, Op. 26: Allegro | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | E♭ Major | 1 | 5B | 157 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): V. Intermezzo | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 0 | 4B | 65 BPM | ||
Die Zauberharfe, D. 644: Overture, "Rosamunde" | Franz Schubert, Prague Sinfonia, Christian Benda | C Major | 1 | 8B | 138 BPM | ||
Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | ||
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Symphony No. 3 in D Major, Op. 29, "Polish": II. Allegro moderato e semplice | Pyotr Ilyich Tchaikovsky, Gürzenich Orchester Köln, Dmitri Kitayenko | G Minor | 0 | 6A | 120 BPM | ||
Symphony No. 4 In F Minor, Op. 36, TH.27: 2. Andantino in modo di canzone | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 134 BPM | ||
Symphony No. 5 in E Minor, Op. 64, TH. 29: III. Valse (Allegro moderato) | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | A Major | 1 | 11B | 152 BPM |