"Infelice, e tuo credevi (Ernani)" by Cesare Siepi, Orchestra Sinfonica di Torino della Radio Italiana was released on July 30, 2006. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Cesare Siepi's "Lebendige Vergangenheit - Cesare Siepi" album is number 6 out of 19. Infelice, e tuo credevi (Ernani) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Infelice, e tuo credevi (Ernani) by Cesare Siepi, Orchestra Sinfonica di Torino della Radio Italiana to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor / Act 2: "Ah! cedi, cedi" | Gaetano Donizetti, Cesare Siepi, Dame Joan Sutherland, Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir John Pritchard | D Major | 2 | 10B | 94 BPM | ||
L'elisir d'amore / Act 2: "Barcaruola a due voci...Io son ricco e tu sei bella"" | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | B♭ Major | 2 | 6B | 85 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Regnava nel silenzio" (Lucia, Alisa) | Gaetano Donizetti, Jesús López-Cobos, Münchener Opernorchester | F♯ Major | 1 | 2B | 77 BPM | ||
La Gioconda / Act 3: Sì, morir ella de'! | Amilcare Ponchielli, Cesare Siepi, Orchestra del Maggio Musicale Fiorentino, Gianandrea Gavazzeni | B♭ Major | 2 | 6B | 139 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
Cavalleria rusticana: Part II: Mamma, mamma! Quel vino e generoso (Turiddu, Lucia, Santuzza, A Woman) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 2 | 5B | 133 BPM | ||
Romeo and Juliette, Act I: Non! non! je ne veux pas t'écouter plus longtemps | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Rossini: Il Barbiere di Siviglia, Act 1: "La calunnia è un venticello" (Basilio) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Nicola Zaccaria, Philharmonia Orchestra | C Major | 2 | 8B | 103 BPM | ||
You'd Be So Nice To Come Home To - From "Something To Shout About" | Cesare Siepi, The Roland Shaw Orchestra | C Major | 3 | 8B | 109 BPM | ||
Norma / Act 2: Mira, o Norma | Vincenzo Bellini, Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | F Major | 1 | 7B | 170 BPM |
Section: 0.8317015171051025
End: 0.835709810256958