"Lucia di Lammermoor / Act 2: "Ah! cedi, cedi"" by Gaetano Donizetti, Cesare Siepi, Dame Joan Sutherland, Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir John Pritchard was released on January 1, 1961. The duration of Lucia di Lammermoor / Act 2: "Ah! cedi, cedi" is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Lucia di Lammermoor / Act 2: "Ah! cedi, cedi"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 36 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Dame Joan Sutherland, Renato Cioni, Robert Merrill, Cesare Siepi, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir John Pritchard. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Lucia di Lammermoor / Act 2: "Ah! cedi, cedi" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor / Act 2: "Ah! cedi, cedi" by Gaetano Donizetti, Cesare Siepi, Dame Joan Sutherland, Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir John Pritchard is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucia di Lammermoor Tu che a dio spiegasti l'ali | Mario del Monaco | D♭ Major | 2 | 3B | 75 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Chanson et scène: Va pour Kleinzach! (Légende de Kleinzach: Hoffmann/Choeurs/Nathanaël) | Jacques Offenbach, Nicolai Gedda, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Minor | 0 | 7A | 106 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
La Sonnambula (1997 - Remaster): Aria - Ah! non credea mirarti | Vincenzo Bellini, Tullio Serafin, Maria Callas | C Major | 1 | 8B | 81 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
Don Giovanni, K. 527, Act II Scene 10: Il mio tesoro intanto | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | F Major | 3 | 7B | 112 BPM | ||
Poliuto (1997 Digital Remaster), ATTO PRIMO, Scena prima: Omai da lunge (Un Christiano/Nearco/Paolina) | Gaetano Donizetti, Salvatore Cammarano, Virgilio Carbonari, Piero de Palma, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 1 | 5B | 71 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM |
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