"Mefistofele / Prologue: T'è noto Faust?" by Arrigo Boito, Cesare Siepi, Coro Del Teatro Dell'Opera Di Roma, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin was released on January 1, 1959. The duration of Mefistofele / Prologue: T'è noto Faust? is about 3 minutes long, at 3:09. Based on our data, "Mefistofele / Prologue: T'è noto Faust?" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 37 in Boito: Mefistofele by Arrigo Boito, Renata Tebaldi, Mario del Monaco, Cesare Siepi, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Mefistofele / Prologue: T'è noto Faust?'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mefistofele / Prologue: T'è noto Faust? by Arrigo Boito, Cesare Siepi, Coro Del Teatro Dell'Opera Di Roma, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Four Last Songs, Op. posth., TrV 296: III. Beim Schlafengehen | Richard Strauss, Jaime Martin, Siobhan Stagg, Melbourne Symphony Orchestra | F Major | 1 | 7B | 67 BPM | ||
L'elisir d'amore / Act 1: "Benedette queste carte!" - "Della crudele Isotta" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E Major | 1 | 12B | 75 BPM | ||
La Wally: "Quando a solden" | Mario del Monaco | E♭ Minor | 3 | 2A | 138 BPM | ||
Lohengrin, WWV 75 / Act I: Ohn' Antwort ist der Ruf verhallt! | Richard Wagner, Hartmut Welker, Cheryl Studer, Kurt Moll, Andreas Schmidt, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | E Minor | 1 | 9A | 127 BPM | ||
Così fan tutte, K.588, Act II: Duetto. "Fra gli amplessi in pochi istanti" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda, Amitai Pati | A Major | 1 | 11B | 70 BPM | ||
Der Fliegende Holländer: Summ und Brumm, du gutes Rädchen | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | A Major | 2 | 11B | 80 BPM | ||
Ave, Verum Corpus | Franco Corelli | A Major | 1 | 11B | 66 BPM | ||
Soy Dalí Excerpt | Hermanos Ferrando, Ignacio Ferrando, Jorge Ferrando | B♭ Major | 1 | 6B | 112 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Ponchielli : La Gioconda : Act 2 "Cielo e mar" [Enzo] | Amilcare Ponchielli, Plácido Domingo, Nello Santi, Orchester der Deutschen Oper Berlin | E♭ Major | 3 | 5B | 146 BPM |
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