Jacques Offenbach, Joan Sutherland, Hugues Cuénod, Huguette Tourangeau, Plácido Domingo, Jacques Charon, Pro Arte Choir, Lausanne, Choeur Du Brassus, Choeur de la Radio Suisse Romande, Orchestre de la Suisse Romande, Richard Bonynge's ' "Les Contes d'Hoffmann / Act 1: Voici les valseurs!" was released on its scheduled release date, January 1, 1972. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 35 in the song's album "Offenbach: Les Contes d'Hoffman". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Les Contes d'Hoffmann / Act 1: Voici les valseurs! is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Les Contes d'Hoffmann / Act 1: Voici les valseurs! by Jacques Offenbach, Joan Sutherland, Hugues Cuénod, Huguette Tourangeau, Plácido Domingo, Jacques Charon, Pro Arte Choir, Lausanne, Choeur Du Brassus, Choeur de la Radio Suisse Romande, Orchestre de la Suisse Romande, Richard Bonynge having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Vitalij Kowaljow, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | C Minor | 2 | 5A | 99 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
La traviata / Act 1: Prelude | Giuseppe Verdi, National Philharmonic Orchestra, Richard Bonynge | B Major | 1 | 1B | 119 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Morning, Noon and Night in Vienna | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | F Major | 2 | 7B | 80 BPM | ||
Cavalleria Rusticana: Intermezzo | Pietro Mascagni, Czech Symphony Orchestra, Michaela Rózsa Růžičková | B♭ Major | 2 | 6B | 134 BPM | ||
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | ||
Gaite Parisienne (after J. Offenbach): 1. Allegro brillante | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | G Major | 3 | 9B | 113 BPM | ||
Rienzi: Overture | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 3 | 10B | 99 BPM |