On January 1, 1988, the song "Concerto Grosso in F Major, Op. 3, No. 4, HWV 315: II. Andante" was released by George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown. The duration of Concerto Grosso in F Major, Op. 3, No. 4, HWV 315: II. Andante is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Concerto Grosso in F Major, Op. 3, No. 4, HWV 315: II. Andante's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Iona Brown's "Handel: Concerto Grosso, Op. 3" album is number 13 out of 22. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Concerto Grosso in F Major, Op. 3, No. 4, HWV 315: II. Andante's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Concerto Grosso in F Major, Op. 3, No. 4, HWV 315: II. Andante by George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : II. Allegro | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | C Minor | 2 | 5A | 93 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Water Music, HWV 348 - 350: VIII. Hornpipe | George Frideric Handel, Jeanne Lamon, Tafelmusik Baroque Orchestra | E Major | 2 | 12B | 123 BPM | ||
Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
Concerto for Harp and Orchestra in C: 3. Rondo (Allegro agitato) | François-Adrien Boieldieu, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | C Minor | 2 | 5A | 95 BPM | ||
Serenade No. 7 KV250 in DMajor "Haffner" - Menuetto | Academy of St. Martin in the Fields, Iona Brown | D Major | 0 | 10B | 153 BPM | ||
Concerto in D Minor for 2 Oboes, Strings & Continuo, RV 535 - Ed. Hogwood: 2. Largo | Antonio Vivaldi, Celia Nicklin, Neil Black, Christopher Hogwood, Colin Tilney, Kenneth Heath, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 1 | 7A | 166 BPM | ||
Symphony in D Major, Op. 3, No. 1, W. C1: I. Allegro con spirito | Johann Christian Bach, Miklós Spányi, Concerto Armonico Budapest, Péter Szűts | A♭ Major | 1 | 4B | 147 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM |
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