Boston Pops Orchestra, Tanglewood Festival Chorus, Keith Lockhart's 'Rudolph the Red-Nosed Reindeer - Live' came out on October 9, 2013. The duration of Rudolph the Red-Nosed Reindeer - Live is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Rudolph the Red-Nosed Reindeer - Live's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 14 in A Boston Pops Christmas - Live from Symphony Hall by Boston Pops Orchestra, Tanglewood Festival Chorus, Keith Lockhart. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Rudolph the Red-Nosed Reindeer - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rudolph the Red-Nosed Reindeer - Live by Boston Pops Orchestra, Tanglewood Festival Chorus, Keith Lockhart is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Planets - Suite H125 (Op. 32) (1996 Digital Remaster): 4. Jupiter, the Bringer of Jollity (Allegro giocoso) | Gustav Holst, Sir Malcolm Sargent, BBC Symphony Orchestra | F Major | 2 | 7B | 86 BPM | ||
Somewhere Out There (From "An American Tale") | James Horner, Boston Pops Orchestra, John Williams | G Major | 1 | 9B | 52 BPM | ||
The Entertainer | Scott Joplin, Pasquale Cardillo, Boston Pops Orchestra, Arthur Fiedler | G Major | 4 | 9B | 147 BPM | ||
Empty Store | George Fenton | G Major | 1 | 9B | 82 BPM | ||
Willoughby | Patrick Doyle, Robert Ziegler, Tony Hymas | D♭ Minor | 4 | 12A | 113 BPM | ||
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
Overture 1812, Op.49: Overture 1812 - Finale | Pyotr Ilyich Tchaikovsky, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 4 | 5B | 90 BPM | ||
Die Walkure, Act III: Ride of the Valkyries | Richard Wagner, Budapest Symphony Orchestra, György Lehel | G Major | 2 | 9B | 90 BPM | ||
Alleluia! Laudamus te | Alfred Reed, Paul Riedo, Dallas Wind Symphony, Frederick Fennell | B♭ Major | 1 | 6B | 82 BPM | ||
West Side Story: Selections for Orchestra | Orlando Pops Orchestra, Andrew Lane | D Major | 2 | 10B | 75 BPM |
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