- BPM
- 79
- Key
- F♯ Minor
- Camelot
- 11A
Gute Nacht, Op. 49 No. 5 - Robert Franz, Amadeus Choir, Benedikt Haag Information
- Acousticness
- 99%
- Danceability
- 15%
- Energy
- 9%
- Instrumentalness
- 8%
- Liveness
- 28%
- Loudness
- 58%
- Speechiness
- 4%
- Valence
- 21%
- Popularity
- 1%
- Loudness
- -25.193 dB
Summary
Robert Franz, Amadeus Choir, Benedikt Haag's 'Gute Nacht, Op. 49 No. 5' came out on February 5, 2021. With Gute Nacht, Op. 49 No. 5 being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 22 in For Evening is Coming: Songs of the German Romanticism by Amadeus Choir, Nicol Matt, Benedikt Haag. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Gute Nacht, Op. 49 No. 5 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Gute Nacht, Op. 49 No. 5 BPM
The tempo marking of Gute Nacht, Op. 49 No. 5 by Robert Franz, Amadeus Choir, Benedikt Haag is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
Gute Nacht, Op. 49 No. 5 Key
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Haugtussa, Op. 67: III. Blåbaer-li | Charlotte Hoather, George Todica | F Major | 2 | 7B | 92 BPM | |
 | Loreley | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | G Minor | 2 | 6A | 144 BPM | |
 | Mailied Op. 33 No 3 (Goethe) - 1975 Remastered Version | Robert Franz, Dietrich Fischer-Dieskau | D♭ Major | 2 | 3B | 69 BPM | |
 | 6 Lieder, Op. 25: No. 5, Im wunderschönen Monat Mai | Robert Franz, Samuel Hasselhorn, Boris Kusnezow | E Major | 1 | 12B | 77 BPM | |
 | Poem in D-Flat Major, Op.39a | Zdeněk Fibich, Oliver Butterworth, John Bingham | D♭ Major | 0 | 3B | 83 BPM | |
 | 8 Nocturnes, Op. 368: No. 5, Allegretto grazioso e con anima | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | |
 | Sonata for Clarinet and Piano No. 1 in F Minor, Op. 120 No. 1: III. Allegretto grazioso | Johannes Brahms, Nicolas Baldeyrou, Geoffroy Couteau | B♭ Major | 3 | 6B | 103 BPM | |
 | Six Songs, Op.17: 6. Im Herbst | Robert Franz, Hermann Prey, Leonard Hokanson | B♭ Minor | 1 | 3A | 79 BPM | |
 | Im Mai, Op. 47/1 | Robert Franz, Roderich Kreile, Dresden Kreuzchor | F Major | 1 | 7B | 134 BPM | |
 | Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile | Ludwig van Beethoven, Ramon Bassal, Maria Canyigueral | E Major | 0 | 12B | 76 BPM |
- ISRC
- DEFG22057507
- Label
- L-M Records/RCA Records
Section: 1.0594935417175293
End: 1.063206672668457