On October 19, 2018, the song "Missa Sancti Pauli: No. 16, Alleluja" was released by Francesco Bartolomeo Conti, Peter Bárány, Orfeo Orchestra, Gyorgy Vashegyi. With Missa Sancti Pauli: No. 16, Alleluja being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 28 in Conti: Missa Sancti Pauli by Francesco Bartolomeo Conti, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Missa Sancti Pauli: No. 16, Alleluja is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Missa Sancti Pauli: No. 16, Alleluja by Francesco Bartolomeo Conti, Peter Bárány, Orfeo Orchestra, Gyorgy Vashegyi is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lachrimae | Johann Schop, Rachel Podger, Brecon Baroque | D♭ Minor | 1 | 12A | 119 BPM | ||
Ho vinto, Amor | Tommaso Carapella, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite | B♭ Minor | 0 | 3A | 110 BPM | ||
Issé: Issé, Prologue: Menuets | Andre Cardinal Destouches, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D♭ Major | 2 | 3B | 103 BPM | ||
Airs for the Autumn: Belvedere: II. Non presto: Allegro | James Oswald, The Broadside Band | F♯ Minor | 3 | 11A | 99 BPM | ||
Hamburg Symphony No. 1 in G Major, Wq. 182: I. Allegro di molto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Missa Dolorosa: V. Benedictus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Il diluvio universale, Act I "In Cielo": O Giustizia Divina | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | A♭ Minor | 0 | 1A | 124 BPM | ||
Suite in D Minor, HWV 448: IV. Sarabande I-II | George Frideric Handel, Fernando De Luca | B Minor | 3 | 10A | 89 BPM | ||
XII sonate a tre o quattro strumenti e basso: Sonata X a 3 | Antonio Bertali, Ars Antiqua Austria, Gunar Letzbor | F♯ Major | 2 | 2B | 88 BPM | ||
David, azione sacra, Parte Prima: Aria (Micol) ' Al genitor mio Re' | Francesco Bartolomeo Conti, Il Complesso Barocco/Alan Curtis/Simone Kermes, Alan Curtis | E Minor | 0 | 9A | 106 BPM |
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