"Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo. Lebhaft" by Robert Schumann, Staatskapelle Dresden, Wolfgang Sawallisch had its release date on 1973. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Schumann: Symphonies Nos.1-4 - Overture, Scherzo & Finale". In this album, this song's track order is #7. Based on our statistics, Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo. Lebhaft's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo. Lebhaft by Robert Schumann, Staatskapelle Dresden, Wolfgang Sawallisch having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Léocadie, S. 12: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | C Major | 1 | 8B | 112 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22, R. 190: III. Presto | Camille Saint-Saëns, Romain Descharmes, Malmö Symphony Orchestra, Marc Soustrot | A Major | 2 | 11B | 79 BPM | ||
Piano Sonata No. 2 In B Flat Minor, Op. 35: 2. Scherzo - Più lento - Tempo I | Frédéric Chopin, Maurizio Pollini | A Minor | 0 | 8A | 72 BPM | ||
Symphony No. 9 in E minor, 'From the New World' B178 (Op. 95): II. Largo | Wolfgang Sawallisch | D♭ Major | 0 | 3B | 72 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Symphony No. 3 in D, D.200: I. Adagio maestoso - Allegro con brio | Franz Schubert, Wiener Philharmoniker, Carlos Kleiber | E Major | 1 | 12B | 78 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Finale. Allegro brillante [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | D Major | 1 | 10B | 68 BPM | ||
Schumann: Toccata, Op. 7 | Robert Schumann, György Cziffra | D Major | 1 | 10B | 94 BPM | ||
6 Nocturnes, Op. 186: Nocturne No. 2: Allegretto ma un poco vivo | Johann Wenzel Kalliwoda, Ashan Pillai, Michael Endres | C Major | 1 | 8B | 97 BPM | ||
Piano Concerto No. 2, Op. 28: III. Allegro dramatico | Sergei Bortkiewicz, David Porcelijn, Stefan Doniga, Janacek Philharmonic Orchestra | C Minor | 2 | 5A | 133 BPM |