Jacques Offenbach, André Cluytens, Chœurs du Théâtre National de l'Opéra-Comique, Fanély Revoil, Hélène Delahaye, Louis Musy, Orchestre du Théâtre national de l'Opéra-Comique made "Offenbach: Les contes d'Hoffmann, Épilogue: "Hoffmann ? Endormi !" (Stella, La Muse, Lindorf, Chœur)" available on January 1, 1948. With Offenbach: Les contes d'Hoffmann, Épilogue: "Hoffmann ? Endormi !" (Stella, La Muse, Lindorf, Chœur) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 49 in the song's album "Offenbach: Les contes d'Hoffmann". In this album, this song's track order is #49. Furthermore, we believe that the track originated from France. Offenbach: Les contes d'Hoffmann, Épilogue: "Hoffmann ? Endormi !" (Stella, La Muse, Lindorf, Chœur) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Offenbach: Les contes d'Hoffmann, Épilogue: "Hoffmann ? Endormi !" (Stella, La Muse, Lindorf, Chœur) by Jacques Offenbach, André Cluytens, Chœurs du Théâtre National de l'Opéra-Comique, Fanély Revoil, Hélène Delahaye, Louis Musy, Orchestre du Théâtre national de l'Opéra-Comique having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Sinding / Arr Sitt : Rustle of Spring | Christian Sinding, The Norwegian Radio Orchestra, Ari Rasilainen | F Minor | 2 | 4A | 90 BPM | ||
Gaite Parisienne (after J. Offenbach): 6. Allegro | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 2 | 12B | 144 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Grieg: Suite No. 2 from Peer Gynt, Op. 55: II. Arabian Dance | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | F Major | 2 | 7B | 129 BPM | ||
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | ||
Offenbach: La belle Hélène, Act 2: "Va t'en, va t'en, mon amour te suivra" (Hélène, Ménélas, Pâris, Oreste, Agamemnon, Ajax premier, Ajax second, Achille, Calchas, Bacchis, Chorus) | Jacques Offenbach, Marc Minkowski, Felicity Lott, Yann Beuron, Michel Sénéchal, Francois Le Roux, Alain Gabriel, Laurent Alvaro, Marie-Ange Todorovitch, Hjördis Thébault, Magali Léger, Choeur des Musiciens du Louvre, Éric Huchet, Laurent Naouri, Stéphanie D'Oustrac, José Canalès, Les, Les Musiciens du Louvre.Grenoble | E Major | 3 | 12B | 111 BPM |
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