"St. John Passion, BWV 245, Part 2: No. 33, Rezitativ "Und siehe da, der Vorhang im Tempel zerriß" (Evangelist)" by Johann Sebastian Bach, Werner Güra, Akademie für Alte Musik Berlin, René Jacobs was released on March 25, 2016. With St. John Passion, BWV 245, Part 2: No. 33, Rezitativ "Und siehe da, der Vorhang im Tempel zerriß" (Evangelist) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 9 out of 45 in Bach: St John Passion, BWV 245 (Johannes-Passion) [Deluxe Edition] by Johann Sebastian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, St. John Passion, BWV 245, Part 2: No. 33, Rezitativ "Und siehe da, der Vorhang im Tempel zerriß" (Evangelist) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of St. John Passion, BWV 245, Part 2: No. 33, Rezitativ "Und siehe da, der Vorhang im Tempel zerriß" (Evangelist) by Johann Sebastian Bach, Werner Güra, Akademie für Alte Musik Berlin, René Jacobs is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus-Passion, BWV 244, Pt. 2: No. 68, Chorus. "Wir setzen uns mit Tränen nieder" | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | C Minor | 2 | 5A | 111 BPM | ||
Overture in G Minor, BWV 822: VII. Menuet III (arr. for violin and piano) | Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence Dennis | G Major | 1 | 9B | 115 BPM | ||
La naissance de Vénus, LWV 27, Pt. 2: Grand dieu des enfers (Arr. G. Tailleferre for Piano) | Jean-Baptiste Lully, Nicolas Horvath | B Major | 2 | 1B | 108 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: II. [Adagio] | Johann Sebastian Bach, Trevor Pinnock, Kati Debretzeni | A♭ Major | 0 | 4B | 94 BPM | ||
Sonata in G major, Wq. 62/19: 2. Andante | Carl Philipp Emanuel Bach, Mikhail Pletnev | B Minor | 0 | 10A | 98 BPM | ||
Clavierbuchlein for Anna Magdalena Bach, Book 2, BWV Anh. 113-132 (arr. for violin and piano): Minuet in G Major, BWV Anh. 114 (arr. for violin and piano) | Anonymous, Johann Sebastian Bach, Takako Nishizaki, Terence Dennis | G Major | 1 | 9B | 128 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue | Johann Sebastian Bach, Yo-Yo Ma | G Major | 2 | 9B | 128 BPM |
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