"Szimfonikus percek (Symphonic Minutes), Op. 36: I. Capriccio" by Ernst von Dohnányi, Buffalo Philharmonic Orchestra, Joann Falletta had its release date on May 25, 2010. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Szimfonikus percek (Symphonic Minutes), Op. 36: I. Capriccio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 29 in Dohnanyi: Variations on a Nursery Song by Ernst von Dohnányi, Joann Falletta. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Szimfonikus percek (Symphonic Minutes), Op. 36: I. Capriccio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Szimfonikus percek (Symphonic Minutes), Op. 36: I. Capriccio by Ernst von Dohnányi, Buffalo Philharmonic Orchestra, Joann Falletta is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: II. Adagio assai (3) | Maurice Ravel, Klára Würtz, Janacek Philharmonic Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 90 BPM | ||
Variations on a Theme by Haydn in B-Flat Major, Op. 56a: VII. Grazioso | Johannes Brahms, Sir Charles Mackerras, Scottish Chamber Orchestra | E Minor | 0 | 9A | 101 BPM | ||
Onpa taivaassa tarjona lapsillekin | Fredrik Engelke, SRK Instrumentaali, Aaron Ahola | F♯ Major | 0 | 2B | 182 BPM | ||
7 Variations on "Bei Männern, welche Liebe fühlen" from Mozart's Die Zauberflöte in E-Flat Major, WoO 46 : Variation VI. Adagio | Ludwig van Beethoven, Jungin Huh, Ilya Rashkovskiy | E♭ Major | 0 | 5B | 119 BPM | ||
Sonate Op. 64: III. Adagio | Mel Bonis, Juliette Hurel, Hélène Couvert | D♭ Major | 0 | 3B | 90 BPM | ||
String Quartet No. 15 in G Major, D. 887: III. Scherzo. Allegro vivace – Trio. Allegretto | Franz Schubert, Takács Quartet | D Minor | 0 | 7A | 83 BPM | ||
Sonate pour flûte et piano, Op. 64: IV. Finale. Moderato - Grazioso | Mel Bonis, Mathilde Calderini, Aurèle Marthan | D♭ Minor | 2 | 12A | 111 BPM | ||
Prélude in B Major, Op. 16, No. 1 | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
13 Preludes, Op. 32: No. 12 in G-Sharp Minor | Sergei Rachmaninoff, Elena Dorozhkina | D♭ Minor | 1 | 12A | 132 BPM | ||
Piano Sonata No. 1: IV. Ruvido ed ostinato | Máire Carroll | D♭ Major | 4 | 3B | 165 BPM |