"Sonata For Clarinet And Piano, E-Flat Major: I. Adagio" by Elisabeth Ganter, Peter Schmalfuss was released on 1990. The duration of Sonata For Clarinet And Piano, E-Flat Major: I. Adagio is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Sonata For Clarinet And Piano, E-Flat Major: I. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Philharmonic Festival Orchestra's "Music For The Millions Vol. 13 - F. Mendelssohn-Bartholdy" album is number 5 out of 10. On top of that, Germany appears to be the country where this track was created. Sonata For Clarinet And Piano, E-Flat Major: I. Adagio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata For Clarinet And Piano, E-Flat Major: I. Adagio by Elisabeth Ganter, Peter Schmalfuss to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Pianos and Orchestra, Op. 88a: IV. Andante - Allegro | Max Bruch, Oliver Schnyder, Julia Kociuban, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | A♭ Major | 1 | 4B | 74 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | D Major | 2 | 10B | 74 BPM | ||
Violin Sonata No. 1 in A Major, Op.13: IV. Finale. Allegro quasi presto | Gabriel Fauré, Tanguy de Williencourt, Théotime Langlois de Swarte | A Major | 1 | 11B | 68 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Prelude in G minor, Op.23, No.5 | Sergei Rachmaninoff, Jorge Bolet | G Minor | 1 | 6A | 90 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
Sonata For Clarinet And Piano, E-Flat Major: I. Adagio | Elisabeth Ganter, Peter Schmalfuss | E♭ Major | 0 | 5B | 76 BPM | ||
Sonata No. 1 in F Minor, Op. 120, No. 1: IV. Vivace | Johannes Brahms, Stanislav Bogunia, Elisabeth Ganter, Vladimir Leixner | F Major | 1 | 7B | 100 BPM | ||
Variations on La ci darem from Mozart's Don Giovanni, Op. 2 *: Theme: Allegretto | Frédéric Chopin, Eldar Nebolsin, Warsaw Philharmonic Orchestra, Antoni Wit | F Major | 0 | 7B | 119 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation II - Tempo della Thema | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | B Minor | 1 | 10A | 85 BPM |
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