"Artaserse : "Per questo dolce amplesso"" by Johann Adolf Hasse, Akademie für Alte Musik Berlin, Vivica Genaux, René Jacobs was released on 2002. Artaserse : "Per questo dolce amplesso" is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The song is number 10 out of 11 in Arias for Farinelli by Vivica Genaux, Akademie für Alte Musik Berlin, René Jacobs. In terms of popularity, Artaserse : "Per questo dolce amplesso" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Artaserse : "Per questo dolce amplesso" by Johann Adolf Hasse, Akademie für Alte Musik Berlin, Vivica Genaux, René Jacobs is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chacony in G minor Z730 | Henry Purcell, Accademia Bizantina, Stefano Montanari | F♯ Major | 2 | 2B | 37 BPM | ||
Was ist das Herz? Ein finst'rer Ort, TWV 1:1516: No. 4, Lachtder Leuchte der Gerechten taumelt nur in babels nachten | Georg Philipp Telemann, Bergen Barokk | F Major | 2 | 7B | 116 BPM | ||
Recueil d’airs détachés et d’airs de violons, Cinquième Suite: III. Air | Michel Richard Delalande, Arion Orchestre Baroque, Mathieu Lussier | D♭ Major | 1 | 3B | 127 BPM | ||
Concerto in F Major, Op. 6 No. 6: I. Adagio | Arcangelo Corelli, Musica Amphion, Pieter-Jan Belder | G Minor | 1 | 6A | 32 BPM | ||
Status Quo | Jacob Yoffee, Oakwood Quartet | A Minor | 1 | 8A | 104 BPM | ||
Quintet (Sinfonia spirituosa) In D Major TWV 44:1, For 2 Violins, Viola And Basso Continuo: 1. Sinfonia spirituosa | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 125 BPM | ||
Charpentier : Concert pour 4 parties de violes H545 : I Prelude | Marc-Antoine Charpentier, William Christie, Les Arts Florissants | B Major | 2 | 1B | 171 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Cavalli / Arr Pluhar: La Calisto, Act 1: "Piante ombrose" | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | C Major | 1 | 8B | 91 BPM | ||
Porpora: Polifemo, HelN 31, Act 3: "Alto Giove" (Aci) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E♭ Minor | 0 | 2A | 78 BPM |
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