Max Bruch, Cho-Liang Lin, Leonard Slatkin, Chicago Symphony Orchestra's 'Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico' came out on March 24, 1987. Since Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 8 in Bruch: Violin Concerto No. 1 in G Minor, Op. 26 & Scottish Fantasy, Op. 46 by Max Bruch, Cho-Liang Lin, Chicago Symphony Orchestra, Leonard Slatkin. In terms of popularity, Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto No. 1 in G Minor, Op. 26: III. Finale. Allegro energico by Max Bruch, Cho-Liang Lin, Leonard Slatkin, Chicago Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse triste, Op. 44 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live | Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud | A♭ Major | 1 | 4B | 135 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Hilary Hahn, David Zinman, Baltimore Symphony Orchestra | G Major | 0 | 9B | 88 BPM | ||
Cello Sonata in G Minor, Op. 19: II. Allegro scherzando | Sergei Rachmaninoff, Gautier Capuçon, Yuja Wang | A♭ Major | 0 | 4B | 92 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
Piano Concerto No. 3 in C, Op. 26: 1. Andante - Allegro | Sergei Prokofiev, Behzod Abduraimov, Orchestra Sinfonica Nazionale Della RAI, Juraj Valcuha | A Minor | 3 | 8A | 133 BPM | ||
3 Violin Duets (1996 Digital Remaster): II. Gavotte | Itzhak Perlman, Pinchas Zukerman | A Major | 0 | 11B | 110 BPM | ||
Romance "O pourquoi donc" in E Minor, S. 169 | Franz Liszt, Lang Lang | E Minor | 0 | 9A | 67 BPM |
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