- BPM
- 93
- Key
- D Major
- Camelot
- 10B
Messiah, HWV 56: Part 2: He was despised (Air) - Nikolaus Harnoncourt Information
- Acousticness
- 94%
- Danceability
- 28%
- Energy
- 11%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 59%
- Speechiness
- 5%
- Valence
- 6%
- Popularity
- 2%
- Loudness
- -24.855 dB
Summary
"Messiah, HWV 56: Part 2: He was despised (Air)" by Nikolaus Harnoncourt was released on 2005. Messiah, HWV 56: Part 2: He was despised (Air) appears to be safe for all ages as it is not explicit. The track order of this song in Nikolaus Harnoncourt's "Händel: Messiah" album is number 20 out of 47. In terms of popularity, Messiah, HWV 56: Part 2: He was despised (Air) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Messiah, HWV 56: Part 2: He was despised (Air) BPM
We consider the tempo marking of Messiah, HWV 56: Part 2: He was despised (Air) by Nikolaus Harnoncourt to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Messiah, HWV 56: Part 2: He was despised (Air) Key
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bach, C.P.E.: Cello Concerto No. 3 in A Major, Wq. 172, H. 439 (Cadenzas by Anner Bylsma): III. Allegro assai | Carl Philipp Emanuel Bach, Anner Bylsma, Orchestra of the Age of Enlightenment, Gustav Leonhardt | A♭ Minor | 1 | 1A | 75 BPM | |
 | Messiah, HWV 56: Part 2: All they that see Him laugh Him to scorn (Accompagnato) | Nikolaus Harnoncourt | A Minor | 2 | 8A | 128 BPM | |
 | Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | |
 | Ein deutsches Requiem (A German Requiem), Op. 45: II. Denn alles Fleisch es ist wie Gras | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | B♭ Major | 1 | 6B | 141 BPM | |
 | Strauss, Johann II: Vergnügungszug Op. 281 | Johann Strauss II, Nikolaus Harnoncourt, Wiener Philharmoniker | D♭ Major | 1 | 3B | 179 BPM | |
 | Amadis de Gaule, W. G39: Act II Scene V: Gigue | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 132 BPM | |
 | Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM | |
 | Zaïs, Ouverture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | C Major | 4 | 8B | 137 BPM | |
| Messiah, HWV 56: Part 1: The people that walked in darkness (Air) | Nikolaus Harnoncourt | B♭ Minor | 1 | 3A | 80 BPM | |
 | Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7464923858642578
End: 0.7508087158203125