Johann Friedrich Fasch, Veronika Winter, David Erler, Tobias Hunger, Matthias Vieweg, Rheinische Kantorei, Das Kleine Konzert, Hermann Max made "Mass in G Major, Gloria: V. Laudamus te" available on November 2, 2018. With Mass in G Major, Gloria: V. Laudamus te being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 35 in Fasch: Mass in G Major, Overture in A Major, & Ich danke dem Herrn von ganzem Herzen by Johann Friedrich Fasch, Das Kleine Konzert, Hermann Max. Mass in G Major, Gloria: V. Laudamus te is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Mass in G Major, Gloria: V. Laudamus te by Johann Friedrich Fasch, Veronika Winter, David Erler, Tobias Hunger, Matthias Vieweg, Rheinische Kantorei, Das Kleine Konzert, Hermann Max is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantata, BWV 249 "Oster-Oratorium": II. Adagio | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe | B♭ Minor | 0 | 3A | 171 BPM | ||
Concerto No. 5 in B-Flat Major, SF 944 "La Cetra": III. Presto ma non molto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | A Major | 4 | 11B | 115 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): II. Alla breve | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM | ||
Water Piece in D Major, HWV 341 (arr. for trumpet and orchestra): V. March | George Frideric Handel, Niklas Eklund, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 1 | 3B | 131 BPM | ||
Florilegium II, Chaconne de la Suite IV « Impatientia » | Georg Muffat, Le Concert Des Nations, Jordi Savall | A Major | 2 | 11B | 138 BPM | ||
Flute Concerto No. 3 in C Major: III. Allegro assai | Frederick the Great, Konrad Hünteler, Cappella Coloniensis, Ulf Bjorlin | B Major | 1 | 1B | 129 BPM | ||
Sonata en quator: II. Moderato | Louis-Antoine Dornel, Combattimento Consort Amsterdam, Han De Vries | G Major | 0 | 9B | 36 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
Flute Concerto in G Major, QV 5:165: III. Presto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | F Major | 1 | 7B | 107 BPM |
Section: 0.6184849739074707
End: 0.624330997467041