"The Passion of Yeshua: VII. Interlude" by Richard Danielpour, Buffalo Philharmonic Chorus, University of California, Los Angeles Chamber Singers, Buffalo Philharmonic Orchestra, Joann Falletta had its release date on March 13, 2020. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 14 in Danielpour: The Passion of Yeshua by Richard Danielpour, Buffalo Philharmonic Chorus, University of California, Los Angeles Chamber Singers, Buffalo Philharmonic Orchestra, Joann Falletta. The popularity of The Passion of Yeshua: VII. Interlude is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Passion of Yeshua: VII. Interlude by Richard Danielpour, Buffalo Philharmonic Chorus, University of California, Los Angeles Chamber Singers, Buffalo Philharmonic Orchestra, Joann Falletta is Vivace (lively and fast), since this song has a tempo of 163 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ma mère l'oye, Suite, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Paul Lewis, Steven Osborne | C Major | 0 | 8B | 79 BPM | ||
An American Requiem: Benedictus | Richard Danielpour, Stephanie Blythe, Hugh Smith, Pacific Chorale, Pacific Symphony Orchestra, Carl St. Clair | G Major | 2 | 9B | 84 BPM | ||
Anima Mundi: III. Nox Tenebroso | Richard Danielpour, David Zinman, Pittsburgh Symphony Orchestra | B♭ Major | 3 | 6B | 144 BPM | ||
EPILOGUE (Quasi Niente from Piano Sonata No. 1 in F Minor, Op. 6: IV. Funebre) | Alexander Scriabin, Julius Asal | F Minor | 0 | 4A | 68 BPM | ||
R. CARPIO: Suite Hospital Prelude (Chuquisengo, Piano) | ROBERTO CARPIO, Juan José Chuquisengo | D♭ Major | 3 | 3B | 121 BPM | ||
25の練習曲作品100 第21曲 天使の音楽 | Franz Burgmüller, Rintaro Akamatsu | D Major | 1 | 10B | 139 BPM | ||
Ich geh und suche mit Verlangen, BWV 49: VI. Aria & Choral. Dich hab ich je und je geliebet (Arr. Rummel for Piano) | Johann Sebastian Bach, Jonathan Plowright | E Major | 0 | 12B | 99 BPM | ||
Ravel : Pavane Pour Une Infante Defunte 라벨 : 죽은 왕녀를 위한 파반느 | Ensemble DITTO | G Major | 0 | 9B | 114 BPM | ||
24 Preludes, Op. 11: Prelude No. 15 in D-Flat Major - Lento | Alexander Scriabin, Anthony Hewitt | D♭ Minor | 0 | 12A | 70 BPM | ||
On an Overgrown Path, Book 1, JW VIII/17: No. 3, Pojďte s námi! | Leoš Janáček, Jennifer Elowsky-fox | D Major | 0 | 10B | 67 BPM |