"Valses nobles et sentimentales, M.61: 2. Assez lent - avec une expression intense" by Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 2000. The duration of Valses nobles et sentimentales, M.61: 2. Assez lent - avec une expression intense is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Valses nobles et sentimentales, M.61: 2. Assez lent - avec une expression intense's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Ravel: Alborada del Gracioso; La Valse; Rhapsodie Espagnole etc.". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Valses nobles et sentimentales, M.61: 2. Assez lent - avec une expression intense is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Valses nobles et sentimentales, M.61: 2. Assez lent - avec une expression intense by Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Piano Concerto in C-Sharp Minor, Op. 45: III. Largo | Amy Beach, Alan Feinberg, Nashville Symphony Orchestra, Kenneth Schermerhorn | F♯ Minor | 0 | 11A | 88 BPM | ||
Symphony No. 7 in C Major, Op. 105: Vivacissimo - Adagio - | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | C Minor | 3 | 5A | 71 BPM | ||
Piano Concerto No. 1 in F-Sharp Minor, Op. 1 (1917 Final Version): II. Andante | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | D Major | 1 | 10B | 100 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Duke's Command - Interlude | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 3 | 7B | 125 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | C Major | 1 | 8B | 99 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: 1. Allegro maestoso | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A♭ Minor | 1 | 1A | 120 BPM | ||
Valses nobles et sentimentales, M. 61: VII. Moins vif | Maurice Ravel, Arcadi Volodos | A Major | 1 | 11B | 74 BPM | ||
Symphony No.4 In E Minor, Op.98: 3. Allegro giocoso - Poco meno presto - Tempo I | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 125 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM |
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