Frédéric Chopin, Nikolai Lugansky made "Chopin: 24 Preludes Op. 28: No. 12 in G-Sharp Minor" available on March 1, 2002. With Chopin: 24 Preludes Op. 28: No. 12 in G-Sharp Minor being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 29 in Chopin : Preludes, Ballades Nos 3 & 4, Nocturnes by Frédéric Chopin, Nikolai Lugansky. Based on our statistics, Chopin: 24 Preludes Op. 28: No. 12 in G-Sharp Minor's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Chopin: 24 Preludes Op. 28: No. 12 in G-Sharp Minor by Frédéric Chopin, Nikolai Lugansky is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 8 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 64 BPM | ||
VII. July. Song of the Reaper | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | B Major | 0 | 1B | 128 BPM | ||
Lied ohne Worte (Song without Words), Op. 62, MWV SD 29: No. 27 in E Minor, Op. 62, No. 3, "Trauermarsch" (Funeral March) | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
Mazurka No.22 In G Sharp Minor Op.33 No.1 | Frédéric Chopin, Vladimir Ashkenazy | A♭ Minor | 0 | 1A | 129 BPM | ||
Préludes / Book 1, L.117: 4. Les sons et les parfums tournent dans l'air du soir | Claude Debussy, Jean-Yves Thibaudet | A Major | 0 | 11B | 70 BPM | ||
13 Pieces, Op. 76: No. 5 Consolation | Jean Sibelius, Håvard Gimse | D♭ Minor | 0 | 12A | 103 BPM | ||
48 Esquisses, Op. 63, Book 4: No. 37, Scherzettino | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
25 Études faciles et progressives, Op. 100: No. 8, La gracieuse | Franz Burgmüller, Carl Petersson | C Major | 2 | 8B | 106 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM |
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