"Rossini: Il turco in Italia, Act 2: "Son la vite sul campo appassita" (Fiorilla, Prosdocimo, Geronio)" by Gioachino Rossini, Maria Callas, Franco Calabrese, Mariano Stabile, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano was released on 1955. The duration of Rossini: Il turco in Italia, Act 2: "Son la vite sul campo appassita" (Fiorilla, Prosdocimo, Geronio) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Rossini: Il turco in Italia, Act 2: "Son la vite sul campo appassita" (Fiorilla, Prosdocimo, Geronio)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Rossini: Il turco in Italia (1954 - Gavazzeni) - Callas Remastered". In this album, this song's track order is #42. Furthermore, we believe that the track originated from United Kingdom. Rossini: Il turco in Italia, Act 2: "Son la vite sul campo appassita" (Fiorilla, Prosdocimo, Geronio) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rossini: Il turco in Italia, Act 2: "Son la vite sul campo appassita" (Fiorilla, Prosdocimo, Geronio) by Gioachino Rossini, Maria Callas, Franco Calabrese, Mariano Stabile, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Sonate a quattro, No. 4 in B-Flat Major: III. Allegretto | Gioacchino Rossini, Haydn Philharmonia Soloists, Ezio Rojatti | B♭ Major | 3 | 6B | 96 BPM | ||
Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
Rossini: Il turco in Italia, Act 1: "Olà, tosto il caffè. Sedete" (Fiorilla, Selim) | Gioachino Rossini, Maria Callas, Nicola Rossi-Lemeni, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano | F Major | 1 | 7B | 101 BPM | ||
Bellini: Norma, Act 1 Scene 4: No. 4d, "Ah! bello a me ritorna" (Norma, Chorus) | Vincenzo Bellini, Angela Gheorghiu, Chorus of the Royal Opera House, Covent Garden, Terry Edwards, London Symphony Orchestra, Evelino Pidò | F Major | 1 | 7B | 116 BPM | ||
Andante, Theme and Variations in B-Flat Major: No. 3, Variation 1 | Gioacchino Rossini, Südwestdeutsches Kammerorchester Pforzheim, Vladislav Czarnecki, Alessandro Carbonare | B♭ Major | 2 | 6B | 145 BPM | ||
L'elisir d'amore / Act 1: "Udite, udite, o rustici" | Gaetano Donizetti, Enzo Dara, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A Major | 2 | 11B | 129 BPM | ||
Bellini: La sonnambula, Act 2: "Ah! non credea mirarti" (Amina, Elvino) | Vincenzo Bellini, Maria Callas, Nicola Monti, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 87 BPM | ||
Variations for Clarinet and Small Orchestra in C Major: No. 5, Variation III | Gioacchino Rossini, Südwestdeutsches Kammerorchester Pforzheim, Vladislav Czarnecki, Alessandro Carbonare | C Minor | 0 | 5A | 102 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "Spargi d'amaro pianto" (Lucia, Raimondo, Chorus, Enrico) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM |
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