"The Nutcracker, Op. 71: Dance of the Sugar-Plum Fairy (Arr. for Harp)" by Xavier De Maistre had its release date on September 25, 2018. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. The Nutcracker, Op. 71: Dance of the Sugar-Plum Fairy (Arr. for Harp)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Julehygge - Peaceful Christmas Classics" album is number 19 out of 50. On top of that, United States appears to be the country where this track was created. The Nutcracker, Op. 71: Dance of the Sugar-Plum Fairy (Arr. for Harp) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Nutcracker, Op. 71: Dance of the Sugar-Plum Fairy (Arr. for Harp) by Xavier De Maistre to be Lento (slowly) because the track has a tempo of 57 BPM, a half-time of 28BPM, and a double-time of 114 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
Ravel: Pavane pour une infante défunte, M. 19 | Maurice Ravel, Monique Haas | E Minor | 0 | 9A | 101 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 2 | 6A | 114 BPM | ||
Swan Lake, Op. 20, TH 12 / Act II: No. 14 Scène (Moderato) | Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji Ozawa | E Minor | 1 | 9A | 93 BPM | ||
Sinfonia for Strings in G major, RV 149: I. Allegro molto | Karoly Botvay | D Major | 2 | 10B | 125 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: 1. Allegro molto appassionato | Felix Mendelssohn, Kyung Wha Chung, Orchestre Symphonique de Montréal, Charles Dutoit | E Minor | 1 | 9A | 101 BPM | ||
Widmung, Op. 25 No. 1 (Arr. Franz Liszt) | Robert Schumann, Martin James Bartlett | A♭ Major | 0 | 4B | 74 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM |