Orchestra Arena Di Verona made "Ouverture" available on November 15, 2006. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in José Carreras's "Jose Carreras & Friends" album is number 1 out of 24. Based on our statistics, Ouverture's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Ouverture by Orchestra Arena Di Verona to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Boris Godunov | Modest Mussorgsky, Choir of the Bolshoi Theater, Yelena Obratsova, Yuri Mazurok, Alexandr Ognivcev, Orchestra of The Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko | G Major | 4 | 9B | 126 BPM | ||
Rossini: Guillaume Tell, Act 1 Scene 2: "Pasteurs, que vos accents s'unissent" (Melchthal, Chorus) | Gioachino Rossini, Gabriel Bacquier/Nicolai Gedda/Gwynne Howell/Charles Burles/Ambrosian Opera Chorus/Royal Philharmonic Orchestra/Lamberto Gardelli | E Major | 3 | 12B | 69 BPM | ||
Su Del Nilo - Auf Ihr Agyptischen Helden - Eilt Zum Heiligen Strand Des Nils (Il Re) | Orchestra Arena Di Verona | A Major | 4 | 11B | 97 BPM | ||
Cherubini: Medea, Act 3: "Neris, che hai fatto" (Medea, Neris) | Luigi Cherubini, Maria Callas, Miriam Pirazzini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Minor | 1 | 7A | 93 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | A Major | 0 | 11B | 169 BPM | ||
Lucia di Lammermoor, Act I: Il tuo dubbio | Gaetano Donizetti, Coro del Teatro Carlo Felice di Genova, Didier Pieri, Stefano Antonucci, Mariano Buccino, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | B♭ Major | 2 | 6B | 71 BPM | ||
La Boheme, dritter Akt: Dunque e proprio finita | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Les pêcheurs de perles, WD 13, Act I: Je crois entendre encore - Remastered 2024 | Georges Bizet, Raphael Arié, London Symphony Orchestra, Josef Krips | A Minor | 1 | 8A | 140 BPM | ||
Lucia di Lammermoor, Act II: Soffriva nel pianto | Gaetano Donizetti, Zuzana Markova, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | B♭ Major | 2 | 6B | 152 BPM | ||
Madame Butterfly, 1. Akt: Vogliatemi bene (Mona Lisa): Act I: Bimba dagli occhi pieni ci malia | Giacomo Puccini, Jozef Abel, Nelly Boschkowa, Miriam Gauci, Helena Hanzelova, Vladimir Kubovcik, Alžbeta Michálková, Yordy Ramiro, Jozef Spacek, Maria Stahelova, Robert Szücs, Georg Tichy, Ana Tomkovicova, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | A Major | 1 | 11B | 89 BPM |
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