Benjamin Schmid, Edi Köhldorfer, Biréli Lagrène, Ernst Reijseger, Georg Breinschmid's 'Tears (arr. B. Schmid): Tears' came out on January 1, 2006. Since Tears (arr. B. Schmid): Tears is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Schmid, Beni: Obsession - Hommage A Grappelli". In this album, this song's track order is #5. In terms of popularity, Tears (arr. B. Schmid): Tears is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tears (arr. B. Schmid): Tears by Benjamin Schmid, Edi Köhldorfer, Biréli Lagrène, Ernst Reijseger, Georg Breinschmid having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto: IV. Passacaglia | György Ligeti, Benjamin Schmid, Finnish Radio Symphony Orchestra, Hannu Lintu | C Major | 0 | 8B | 90 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: IV. Menuet I | Johann Sebastian Bach, Benjamin Schmid | E Major | 1 | 12B | 126 BPM | ||
Slavonic Dance No. 2 in E minor, Op. 72 | Boston Symphony Orchestra, Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | E Minor | 1 | 9A | 70 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Troublant Bolero | Benjamin Schmid, Edi Köhldorfer, Georg Breinschmid | A Major | 3 | 11B | 123 BPM | ||
Ponce: Estrellita | Manuel Ponce, Cocomi, 佐藤晴真, Miyuji Kaneko | E Major | 1 | 12B | 78 BPM | ||
Violin Concerto in A Major, Op. 101: II. Largo con gran espressione | Max Reger, Benjamin Schmid, Tampere Filharmonia, Hannu Lintu | A Major | 1 | 11B | 95 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft II: No. 14, Zart und singend | Robert Schumann, Jonathan Biss | E♭ Major | 0 | 5B | 135 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
La Gitana | Fritz Kreisler, Benjamin Schmid, Miklos Skuta | D Minor | 1 | 7A | 104 BPM |
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