- BPM
- 88
- Key
- F Major
- Camelot
- 7B
Pour le piano, L. 95: 1. Prélude - Claude Debussy, Pascal Rogé Information
- Acousticness
- 98%
- Danceability
- 24%
- Energy
- 10%
- Instrumentalness
- 90%
- Liveness
- 16%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -24.297 dB
Summary
"Pour le piano, L. 95: 1. Prélude" by Claude Debussy, Pascal Rogé was released on June 17, 2022. The duration of Pour le piano, L. 95: 1. Prélude is about 3 minutes long, at 3:23. Based on our data, "Pour le piano, L. 95: 1. Prélude" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 179 out of 217 in Debussy: Classical Road Trip by Claude Debussy, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Pour le piano, L. 95: 1. Prélude is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Pour le piano, L. 95: 1. Prélude BPM
The tempo marking of Pour le piano, L. 95: 1. Prélude by Claude Debussy, Pascal Rogé is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
Pour le piano, L. 95: 1. Prélude Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM | |
 | 16 Waltzes, Op. 39 (1867 version): No. 3 in G-Sharp Minor | Johannes Brahms, Idil Biret | A♭ Minor | 0 | 1A | 124 BPM | |
 | The Swan | Camille Saint-Saëns, Sebastian Comberti, Miriam Keogh | G Major | 1 | 9B | 123 BPM | |
 | Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Alice Sara Ott | D♭ Minor | 0 | 12A | 168 BPM | |
 | Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | |
 | Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM | |
 | Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance | Dmitri Shostakovich, Tasmin Little, Piers Lane | C Major | 1 | 8B | 175 BPM | |
 | Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | |
 | Bagatelles et impromptus: VII. Love | Bedřich Smetana, William Howard | A Major | 0 | 11B | 71 BPM | |
 | Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM |
- ISRC
- GBF077711491
- Label
- L-M Records/RCA Records
Section: 0.847740888595581
End: 0.8511474132537842