Bedřich Smetana, Academy of St. Martin in the Fields, Sir Neville Marriner's 'The Bartered Bride / Act 3: Dance of the Comedians' came out on August 1, 1988. With this song being about 5 minutes long, at 5:24, "The Bartered Bride / Act 3: Dance of the Comedians" by Bedřich Smetana, Academy of St. Martin in the Fields, Sir Neville Marriner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of With Love From Vienna by Sir Neville Marriner, Academy of St. Martin in the Fields. The song's track number on the album is #9 out of 9 tracks. Based on our statistics, The Bartered Bride / Act 3: Dance of the Comedians's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Bartered Bride / Act 3: Dance of the Comedians by Bedřich Smetana, Academy of St. Martin in the Fields, Sir Neville Marriner has a tempo of 154 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With The Bartered Bride / Act 3: Dance of the Comedians being at 154 BPM, the half-time would be 77 BPM with a double-time of 308 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bagatelles and Impromptus, JB 1:19: No. 7 in A Major, Love | Bedřich Smetana, Jitka Čechová | A Major | 0 | 11B | 69 BPM | ||
Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 68 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: II. Minuetto. Allegretto | Frédéric Chopin, Leif Ove Andsnes | E♭ Major | 0 | 5B | 148 BPM | ||
Smetana: 3 Poetic Polkas, Op. 8: No. 2 in G Minor | Bedřich Smetana, András Schiff | F Major | 1 | 7B | 69 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM |
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