Capella Cracoviensis, Tarquinio Merula made "Ballo Detto Polliccio a Due Violini E Basso" available on December 27, 2018. The duration of Ballo Detto Polliccio a Due Violini E Basso is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Ballo Detto Polliccio a Due Violini E Basso's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 16 in Adam Jarzebski Et Consortes by Capella Cracoviensis. Based on our statistics, Ballo Detto Polliccio a Due Violini E Basso's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Ballo Detto Polliccio a Due Violini E Basso by Capella Cracoviensis, Tarquinio Merula is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Germanico in Germania / Act 3: "Serbare amore e fede" | Nicola Porpora, Hasnaa Bennani, Capella Cracoviensis, Jan Tomasz Adamus | E Major | 3 | 12B | 120 BPM | ||
Dors, mon enfant, WWV 53 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Exaudiat te Dominus, LWV 77 No. 15: VII. Domine, salvum fac regem | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Vivaldi: Stabat Mater, RV 621: II. Cujus animam gementem | Antonio Vivaldi, Jakub Józef Orliński, Capella Cracoviensis, Jan Tomasz Adamus | E Minor | 6 | 9A | 104 BPM | ||
Davide penitente, K. 469: Alzai le flebili voci al Signor (Chorus, Soprano 1) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | A Minor | 1 | 8A | 169 BPM | ||
Maddalena ai piedi di Cristo: No. 2 Aria Amor Terreno "Dormi, o cara, e formi il sonno" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Bernarda Fink | D♭ Major | 1 | 3B | 78 BPM | ||
Frescobaldi: Arie musicali, Libro 1: No. 16, Aria di Passacaglia. "Così mi disprezzate?" | Girolamo Frescobaldi, Jakub Józef Orliński, Il Pomo D'oro | F Major | 2 | 7B | 103 BPM | ||
Ho vinto, Amor (II) | Tommaso Carapella, Cappella Mediterranea, Leonardo García-Alarcón, Léo Fernique, Valerio Contaldo | B♭ Minor | 0 | 3A | 110 BPM | ||
Canzoni per 4 voci alla Capella: No. 2, De profundis | E.T.A. Hoffmann, Capella Cracoviensis, Roland Bader | E Minor | 2 | 9A | 131 BPM | ||
Prima d’esservi infedele, H. 578: Aria. Prima d’esservi infedele | Alessandro Scarlatti, Valeria La Grotta, Quartetto Vanvitelli | C Major | 2 | 8B | 82 BPM |
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