"Requiem, Op. 9: IV. Sanctus" by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole was released on January 26, 2024. The duration of Requiem, Op. 9: IV. Sanctus is about 3 minutes long, at 3:12. Based on our data, "Requiem, Op. 9: IV. Sanctus" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Duruflé: Requiem, Op. 9: IV. Sanctus and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Requiem, Op. 9: IV. Sanctus is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 9: IV. Sanctus by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Stephen Layton, Harrison Cole is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toccata | Francis Pott, Harrison Cole | D Major | 2 | 10B | 100 BPM | ||
Nunc dimittis | Geoffrey Burgon, The Choir Of Trinity College, Cambridge | A Minor | 1 | 8A | 134 BPM | ||
Canticum novum | Ivo Antognini, Stephen Layton, The Choir Of Trinity College, Cambridge | D♭ Minor | 1 | 12A | 136 BPM | ||
Duruflé: 4 Motets sur des thèmes grégoriens, Op. 10: No. 1, Ubi caritas | Maurice Duruflé, Maitrise Notre-Dame De Paris, Henri Chalet | B♭ Major | 1 | 6B | 78 BPM | ||
Requiem, Op. 9: VII. Lux æterna | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | ||
Vespro della Beata Vergine, SV 206: Conclusio (versiculum et responsorium) "Domine, exaudi orationem meam" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Renaud Brès | D Major | 2 | 10B | 99 BPM | ||
Der Wald: I. Prologue | Ethel Smyth, BBC Singers, BBC Symphony Orchestra, John Andrews | B Major | 4 | 1B | 93 BPM | ||
Lo, the Full, Final Sacrifice, Op. 26 | Gerald Finzi, Stephen Layton, Alexander Hamilton, The Choir Of Trinity College, Cambridge | C Major | 0 | 8B | 66 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Os justi, WAB 30 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 82 BPM |
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