"Hamlet: "The Mad Scene"" by Salvatore Cammarano, Gaetano Domenico Maria Donizetti, Dame Joan Sutherland was released on August 18, 2021. Since Hamlet: "The Mad Scene" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Dame Joan Sutherland's "Joan Sutherland - Opera Favourites" album is number 5 out of 8. On top of that, Australia appears to be the country where this track was created. Hamlet: "The Mad Scene" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hamlet: "The Mad Scene" by Salvatore Cammarano, Gaetano Domenico Maria Donizetti, Dame Joan Sutherland to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gianni Schicchi: E non c'è nessun mezzo... | Giacomo Puccini, Eva Podles, Roberto Alagna, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | C Minor | 1 | 5A | 114 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | G Major | 0 | 9B | 104 BPM | ||
Puccini: Turandot, Act 1: "Padre! Mio padre!" (Calaf, Guardie, Liù, La Folla, Timur) | Giacomo Puccini, Franco Corelli, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | F Major | 2 | 7B | 114 BPM | ||
Andrea Chénier / Act 3: Carlo Gérard? ... Io t'aspettava! | Umberto Giordano, Montserrat Caballé, Giorgio Tadeo, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | D♭ Major | 3 | 3B | 132 BPM | ||
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A Minor | 3 | 8A | 112 BPM | ||
La vestale, Act II: Prayer: O des infortunes | Gaspare Spontini, Renata Scotto, Budapest Symphony Orchestra, Charles Rosekrans | B Minor | 1 | 10A | 68 BPM | ||
Verdi: La traviata, Act 3: "Teneste la promessa" - "Addio, del passato" (Violetta, Annina, Doctor) | Giuseppe Verdi, Maria Callas, Ines Marietti, Mario Zorgniotti, Gabriele Santini, Orchestra Sinfonica Di Torino Della Rai | F Minor | 0 | 4A | 71 BPM | ||
Sadko, Scene 4: Song of the Hindu Merchant (Hindu Merchant) | Nikolai Rimsky-Korsakov, Gennady Rozhdestvensky, Philharmonia Orchestra, Sergej Larin | D Major | 2 | 10B | 99 BPM | ||
Messa da Requiem: II Mors stupebit | Elena Filipova, Cesar Hernandez, Hungarian State Opera Chorus, Carlo Colombara, Gloria Scalchi, Hungarian State Opera Orchestra | A Major | 1 | 11B | 127 BPM |
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