Robert Schumann, Martha Argerich's 'Kreisleriana, Op.16: 7. Sehr rasch' came out on April 11, 2020. The duration of Kreisleriana, Op.16: 7. Sehr rasch is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Kreisleriana, Op.16: 7. Sehr rasch's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Work From Home With Schumann by Robert Schumann. The song's track number on the album is #40 out of 97 tracks. Kreisleriana, Op.16: 7. Sehr rasch is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Kreisleriana, Op.16: 7. Sehr rasch by Robert Schumann, Martha Argerich has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kreisleriana, Op.16: 7. Sehr rasch being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | ||
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet | Antonín Dvořák, Peter Breiner | A Major | 0 | 11B | 67 BPM | ||
Mussorgsky: Pictures at an Exhibition: II. The Old Castle | Modest Mussorgsky, Elisabeth Leonskaja | B♭ Major | 0 | 6B | 135 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Les Soirees de Pausilippe, Hommage a Rossini: 24 Pensees Musicales, Op. 75: VI. Vivace In E-Flat Major | Sigismond Thalberg, Francesco Nicolosi | A Minor | 1 | 8A | 120 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM |
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