"Litany for a Ruined Chapel between Sheep and Shore: III." by Peter Maxwell Davies, Lucy Humphris, Harry Rylance was released on March 31, 2023. The duration of Litany for a Ruined Chapel between Sheep and Shore: III. is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Litany for a Ruined Chapel between Sheep and Shore: III.'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Obscurus". In this album, this song's track order is #7. Litany for a Ruined Chapel between Sheep and Shore: III. is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Litany for a Ruined Chapel between Sheep and Shore: III. by Peter Maxwell Davies, Lucy Humphris, Harry Rylance having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM | ||
Moderen (The Mother), Op. 41, FS 94: Tagen letter (The Fog is lifting) | Carl Nielsen, Ensemble MidtVest | C Major | 0 | 8B | 110 BPM | ||
Asturiana | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale | Paul Reade, Michael Collins, Michael McHale | B♭ Major | 0 | 6B | 140 BPM | ||
String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM | ||
The Yellow Cake Revue, Op. 88: No. 3, Piano Interlude. Farewell to Stromness | Peter Maxwell Davies, Yuanfan Yang | D Major | 0 | 10B | 137 BPM | ||
4 Pieces: No. 3. Arietta | Aarre Merikanto, Janne Marttila, Tampere Philharmonic Orchestra, Tuomas Ollila-Hannikainen | E Minor | 0 | 9A | 88 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Glenn Gould, Leopold Stokowski, American Symphony Orchestra | B Major | 0 | 1B | 61 BPM | ||
Andante Cantabile for Cello Solo and String Orchestra, Op. posth. | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Lorin Maazel, Pittsburgh Symphony Orchestra | F♯ Major | 0 | 2B | 86 BPM | ||
Eight Part Songs, Op. 115: III. The Blue Bird | Charles Villiers Stanford, National Youth Choir Of Great Britain, Bethany Partridge, Christopher Hann | F♯ Major | 0 | 2B | 77 BPM |
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