"Antoine et Cleopatre Suite No. 2: I. Nuit au palais de la reine" by Florent Schmitt, Lorraine National Orchestra, Jacques Mercier was released on January 1, 2008. Antoine et Cleopatre Suite No. 2: I. Nuit au palais de la reine is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Schmitt, F.: Antoine Et Cleopatre Suite / Mirages". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Based on our statistics, Antoine et Cleopatre Suite No. 2: I. Nuit au palais de la reine's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Antoine et Cleopatre Suite No. 2: I. Nuit au palais de la reine by Florent Schmitt, Lorraine National Orchestra, Jacques Mercier having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes, L. 91: 1. Nuages | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | C Major | 0 | 8B | 83 BPM | ||
La Tragédie de Salomé, Op. 50: XXII. Danse de l’effroi | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Carmen Fantasy, Op. 25: I. Moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | D Major | 1 | 10B | 89 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 0 | 12A | 131 BPM | ||
Serenade: I. Phaedrus - Pausanias: Lento - Allegro | Leonard Bernstein, Philippe Quint, Timothy Walden, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": III. Gavotte. Non troppo allegro | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato | Dmitri Shostakovich, Simon Trpčeski, Andrei Kavalinski, Cristian Măcelaru, Janáček Philharmonic Ostrava | A♭ Major | 1 | 4B | 75 BPM |
Section: 0.6528031826019287
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