Orchestre National de l'O.R.T.F., Pierre Michel Leconte, Choro National De L'ORTF's 'Ivan IV, WD 12, dritter Akt: A mort! La Csarine perfide' came out on December 8, 1961. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 20 out of 20 in Bizet: Ivan IV by Orchestre National de l'O.R.T.F., Pierre Michel Leconte, Choro National De L'ORTF. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Ivan IV, WD 12, dritter Akt: A mort! La Csarine perfide is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ivan IV, WD 12, dritter Akt: A mort! La Csarine perfide by Orchestre National de l'O.R.T.F., Pierre Michel Leconte, Choro National De L'ORTF is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roussel: Le Festin de l'araignée, Op. 17, L. 19, Pt. 1: II. Entrée des fourmis | Albert Roussel, Jean Martinon, Orchestre National de l'O.R.T.F. | G Major | 1 | 9B | 89 BPM | ||
Pelléas et Mélisande, Op.80: 6. Molto adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
Satie: Relâche, Act 1: Ouverture - Projection - Rideau | Erik Satie, Orchestre Du Capitole De Toulouse, Michel Plasson | B♭ Major | 4 | 6B | 157 BPM | ||
交響曲第4番 ニ短調 op. 120: II. Romanze (Ziemlich langsam) | Robert Schumann, Max Pommer, 札幌交響楽団 | B Major | 0 | 1B | 101 BPM | ||
Saint-Saëns: Symphony No. 1 in E-Flat Major, Op. 2: IV. Finale. Allegro maestoso | Camille Saint-Saëns, Jean Martinon, Orchestre National de l'O.R.T.F. | D Major | 2 | 10B | 137 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 93 BPM | ||
Le Roi d'Ys: Aubade | Nicolai Gedda, Georges Prêtre, Orchestre National de l'O.R.T.F. | D♭ Major | 3 | 3B | 84 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23: II. Andantino semplice | Valery Gergiev | D♭ Minor | 1 | 12A | 69 BPM | ||
Tristan und Isolde, WWV 90: Akt III: Szene 1: Einleitung | Richard Wagner, Karl Böhm, Orchestre National de l'O.R.T.F. | A Minor | 2 | 8A | 122 BPM | ||
Variations and Fugue on a Theme of Mozart, Op. 132: Variation 3 - Con moto | Max Reger, Staatskapelle Dresden, Heinz Bongartz | A Major | 2 | 11B | 128 BPM |
Section: 0.745621919631958
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