Silvius Leopold Weiss, Michel Cardin made "Sonata No. 6 in E-Flat Major, WeissSW 10: IV. Bouree" available on January 1, 2015. The duration of Sonata No. 6 in E-Flat Major, WeissSW 10: IV. Bouree is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Sonata No. 6 in E-Flat Major, WeissSW 10: IV. Bouree's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weiss: The Complete London Manuscript by Silvius Leopold Weiss, Michel Cardin. The song's track number on the album is #37 out of 231 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. The popularity of Sonata No. 6 in E-Flat Major, WeissSW 10: IV. Bouree is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Sonata No. 6 in E-Flat Major, WeissSW 10: IV. Bouree by Silvius Leopold Weiss, Michel Cardin has a tempo of 179 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Sonata No. 6 in E-Flat Major, WeissSW 10: IV. Bouree being at 179 BPM, the half-time would be 90 BPM with a double-time of 358 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Corrente IX | Alessandro Piccinini, Bor Zuljan | B♭ Minor | 1 | 3A | 75 BPM | ||
Sonata No. 1 in F Major, WeissSW 1: VII. Gigue | Silvius Leopold Weiss, Michel Cardin | A♭ Major | 3 | 4B | 179 BPM | ||
In Nomine, "Fantasia": Fantasia | William Mundy, The Rose Consort Of Viols | B Major | 0 | 1B | 115 BPM | ||
Armoniosi toni di varie suonate musicali, Op. 7: Tocatta | Giovanni Battista Granata, Pierre Pitzl, Private Musicke | A♭ Minor | 0 | 1A | 135 BPM | ||
La Guitarre Royalle: Fanfare | Francesco Corbetta, Eric Bellocq, Massimo Moscardo | D♭ Major | 0 | 3B | 86 BPM | ||
Sonata in A Major, K. 323 - Bonus Track | Domenico Scarlatti, Sarah O'Brien | D Major | 5 | 10B | 140 BPM | ||
Sonata No. 2 in D Major, WeissSW 2: VII. Giga | Silvius Leopold Weiss, Michel Cardin | A♭ Major | 3 | 4B | 179 BPM | ||
Waltz Op.69 No.2 arr_ | Roland Dyens | D Major | 2 | 10B | 85 BPM | ||
Dowland's Tears (arr. N. North of I Saw My Lady Weep) | Nigel North | F♯ Minor | 0 | 11A | 106 BPM | ||
25 Etudes, Op. 38: No. 2 in C Major: Scherzando | Napoléon Coste, Jeffrey McFadden | E Minor | 1 | 9A | 90 BPM |
Section: 0.6102938652038574
End: 0.6149444580078125