"Falla: El amor brujo: No. 12, Danza del juego de amor" by Manuel de Falla, Victoria de los Ángeles, Carlo Maria Giulini, Philharmonia Orchestra was released on September 11, 2001. The duration of Falla: El amor brujo: No. 12, Danza del juego de amor is about 3 minutes long, at 3:01. Based on our data, "Falla: El amor brujo: No. 12, Danza del juego de amor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 29 out of 65 in De Falla: La vida breve, El amor brujo & El sombrero de tres picos by Manuel de Falla, Victoria de los Ángeles. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Falla: El amor brujo: No. 12, Danza del juego de amor is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Falla: El amor brujo: No. 12, Danza del juego de amor by Manuel de Falla, Victoria de los Ángeles, Carlo Maria Giulini, Philharmonia Orchestra is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Les berceaux, Op. 23, No. 1 | Gabriel Fauré, Mischa Maisky, Daria Hovora | C Minor | 0 | 5A | 87 BPM | ||
12 Danzas españolas, Op. 37: 5. Andaluza | Enrique Granados, Alicia de Larrocha | E Major | 0 | 12B | 92 BPM | ||
Le Tic-Toc-Choc, ou Les Maillotins: 18ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | C Major | 3 | 8B | 145 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Piano Concerto No. 2 in B Flat Major, Op. 19: II. Adagio | Ludwig van Beethoven, Krystian Zimerman, London Symphony Orchestra, Sir Simon Rattle | E♭ Major | 0 | 5B | 71 BPM | ||
El Amor Brujo: Introducción y Escena - En la cueva. La noche (Ballet version) | Manuel de Falla, Mahler Chamber Orchestra, Pablo Heras-Casado | E♭ Major | 1 | 5B | 123 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM |
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