"Concerto for Cello and Orchestra: I" by Philip Glass, Julian Lloyd Webber, Gerard Schwarz, Royal Liverpool Philharmonic Orchestra was released on October 12, 2004. Since Concerto for Cello and Orchestra: I is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Philip Glass's "Glass: The Concerto Project, Volume I" album is number 1 out of 7. Concerto for Cello and Orchestra: I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto for Cello and Orchestra: I by Philip Glass, Julian Lloyd Webber, Gerard Schwarz, Royal Liverpool Philharmonic Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Gadfly Suite, Op. 97a: 10. Nocturne - Live | Dmitri Shostakovich, Sheku Kanneh-Mason, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla | C Major | 2 | 8B | 66 BPM | ||
Mercy | Max Richter, Mari Samuelsen | B♭ Minor | 1 | 3A | 101 BPM | ||
Movement I: Heroes | Philip Glass, Dennis Russell Davies, Sinfonieorchester Basel | F Major | 1 | 7B | 120 BPM | ||
Faded Leaves Fall | Gabríel Ólafs | E Minor | 0 | 9A | 68 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
Three Pieces in Olden Style: 1. (Untitled) | Henryk Górecki, Johannes Fritzsch, Tasmanian Symphony Orchestra | A Minor | 0 | 8A | 96 BPM | ||
Mad Rush: Part D (Bar 232 - Bar 273) | Philip Glass, Vestard Shimkus | F Major | 0 | 7B | 65 BPM | ||
White Flowers Take Their Bath | Meredi, Mari Samuelsen, Scoring Berlin, Jonathan Stockhammer | A Major | 1 | 11B | 97 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
Sleep - Arr. for Marimba Quartet | Eric Whitacre, Joby Burgess, Sam Wilson, Calum Huggan, Rob Farrer | C Minor | 0 | 5A | 142 BPM |
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