"Christus am Ölberge, Op. 85: IV. Recitative. Erzittre, Erde, Jehova’s Sohn liegt hier!" by Ludwig van Beethoven, Orchestre des Champs-Élysées, Philippe Herreweghe, Eleanor Lyons was released on October 28, 2022. With Christus am Ölberge, Op. 85: IV. Recitative. Erzittre, Erde, Jehova’s Sohn liegt hier! being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 17 in Beethoven: Christus am Ölberge by Ludwig van Beethoven, Philippe Herreweghe, Collegium Vocale Gent, Orchestre des Champs-Élysées. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Christus am Ölberge, Op. 85: IV. Recitative. Erzittre, Erde, Jehova’s Sohn liegt hier! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Christus am Ölberge, Op. 85: IV. Recitative. Erzittre, Erde, Jehova’s Sohn liegt hier! by Ludwig van Beethoven, Orchestre des Champs-Élysées, Philippe Herreweghe, Eleanor Lyons is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
The Four Seasons - Summer in G Minor, RV. 315: I. Allegro non molto – Allegro | Antonio Vivaldi, Adrian Chandler, La Serenissima | G Minor | 2 | 6A | 147 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Piano Sonata No. 8 In C Minor, Op. 13 -"Pathétique": 2. Adagio cantabile - Live | Ludwig van Beethoven, András Schiff | A♭ Major | 0 | 4B | 181 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Piano Sonata No. 1 In F Minor, Op. 2, No. 1: 1. Allegro | Ludwig van Beethoven, Daniel Barenboim | A♭ Major | 1 | 4B | 120 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 3 in G-flat major | Franz Schubert, Khatia Buniatishvili | F♯ Major | 0 | 2B | 69 BPM | ||
Solfeggio, H. 220 | Carl Philipp Emanuel Bach, Rebecca Chambers | C Minor | 2 | 5A | 125 BPM |
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