Johan Helmich Roman, Ilona Maros, Béla Szilágyi, Savaria Vocal Ensemble, Capella Savaria, Pál Németh's 'Birthday Cantata: Overture' came out on January 1, 2015. The duration of Birthday Cantata: Overture is about 3 minutes long, at 3:19. Based on our data, "Birthday Cantata: Overture" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Roman: Secular Cantatas". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Hungary. In terms of popularity, Birthday Cantata: Overture is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Birthday Cantata: Overture by Johan Helmich Roman, Ilona Maros, Béla Szilágyi, Savaria Vocal Ensemble, Capella Savaria, Pál Németh having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violinkonzert G-moll Bwv 1056 - 2. Largo - Arrangement Für Flöte Und Orchester | Philippe Racine, English Chamber Orchestra, Simon Preston | B♭ Major | 1 | 6B | 99 BPM | ||
Spängler-Menuett VI | Leopold Mozart, Bankhaus Spängler | G Major | 1 | 9B | 138 BPM | ||
Airs for the Spring: Crocus: II. Allegro assai | James Oswald, The Broadside Band | D♭ Minor | 3 | 12A | 103 BPM | ||
Telemann: Concerto for Four Violins in G Major, TWV 40:201: II. Allegro | Georg Philipp Telemann, Nikolaus Harnoncourt, Alice Harnoncourt, Kurt Theiner, Peter Schoberwalter, Walter Pfeiffer, Concentus Musicus Wien | F♯ Major | 1 | 2B | 104 BPM | ||
Symphony No.1 (1st Movement) | William Boyce, State Ceremonial Music | B♭ Major | 2 | 6B | 105 BPM | ||
Concerto Armonico I: II. Allegro | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 3 | 3B | 115 BPM | ||
Wassermusik Suite, TWV 55:C3 "Hamburger Ebb' und Fluth": VI. Harlequinade. Der schertzende Tritonus | Georg Philipp Telemann, Robert King, The King's Consort | B Major | 2 | 1B | 144 BPM | ||
Sinfonia in G Minor, T. Si 7: I. Allegro | Tomaso Albinoni, I Musici | A Major | 1 | 11B | 133 BPM | ||
Flute Concerto in D Minor, RV 431a "Il gran mogol": II. Larghetto | Antonio Vivaldi, Barthold Kuijken, Indianapolis Baroque Orchestra | B♭ Major | 4 | 6B | 129 BPM | ||
Sonata quarta in B minor, Parte Prima: I. Largo Andante | Mrs Philarmonica, Le Consort | B Major | 0 | 1B | 84 BPM |
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