Anonymous, Oskar Böhme, Giuliano Sommerhalder, Westphalia New Philharmonic Orchestra, Heiko-Mathias Forster's 'La Napolitaine-Tarantelle, Op. 25 (arr. for trumpet and orchestra)' came out on July 2, 2010. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Romantic Virtuosity". In this album, this song's track order is #12. In terms of popularity, La Napolitaine-Tarantelle, Op. 25 (arr. for trumpet and orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Napolitaine-Tarantelle, Op. 25 (arr. for trumpet and orchestra) by Anonymous, Oskar Böhme, Giuliano Sommerhalder, Westphalia New Philharmonic Orchestra, Heiko-Mathias Forster having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concertino for Horn and Orchestra, Op. 45, J. 188: I. Adagio – Andante | Carl Maria von Weber, Martin Owen, BBC Philharmonic, John Wilson | E Major | 1 | 12B | 118 BPM | ||
Euphonium Concerto: III. Finale: Giocoso | Vladimir Cosma, Adam Frey, New Zealand Symphony Orchestra, Bruce Hangen | D Minor | 2 | 7A | 148 BPM | ||
Dutilleux: Sonatine for Flute and Piano: II. Andante espressivo - | Henri Dutilleux, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 1 | 3A | 88 BPM | ||
Osteoblast, Op. 210 | Derek Bourgeois, Trombone Unit Hannover | E♭ Major | 0 | 5B | 75 BPM | ||
3 Morceaux, Op. 15 (arr. for brass ensemble by Jarle Storløkken): I. Serenade | Agathe Backer Grøndahl, tenThing, Tine Thing Helseth | A Minor | 0 | 8A | 66 BPM | ||
Le Tombeau de Couperin, M. 68: V. Menuet (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | G Major | 0 | 9B | 97 BPM | ||
Canzonette a tre voci (Excerpts Arr. for Tuba Trio): No. 1, Qual si può dir maggiore, SV 1 | Claudio Monteverdi, Trio 21meter60, Constantin Hartwig, Steffen Schmid, Fabian Neckermann | E Minor | 0 | 9A | 67 BPM | ||
Overture to "Colas Breugnon" | US Navy Band | F Major | 3 | 7B | 136 BPM | ||
Concerto for Alto Saxophone and String Orchestra: 1. Lento espressivo - Allegro | Pierre Max Dubois, Eugene Rousseau, Orchestre de Chambre Paul Kuentz, Paul Kuentz | E Minor | 2 | 9A | 129 BPM | ||
Oboe Sonata, FP 185: I. Elegie: Paisiblement | Francis Poulenc, Allan Vogel, Bryan Pezzone | G Major | 0 | 9B | 76 BPM |
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