"Concerto For Piano & Orchestra No.1 B Minor Op.23: Allegro on Troppo e Molto Maestoso" by London Festival Orchestra, Laurence Liegel, Ida Czernecka was released on July 1, 1994. Concerto For Piano & Orchestra No.1 B Minor Op.23: Allegro on Troppo e Molto Maestoso appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Tchaikovsky - 1812 Overture". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Australia. Concerto For Piano & Orchestra No.1 B Minor Op.23: Allegro on Troppo e Molto Maestoso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto For Piano & Orchestra No.1 B Minor Op.23: Allegro on Troppo e Molto Maestoso by London Festival Orchestra, Laurence Liegel, Ida Czernecka having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM | ||
Danse macabre, Op. 40 | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | G Minor | 1 | 6A | 102 BPM | ||
There Is a Redeemer | Linda McKechnie, London Festival Orchestra | D♭ Major | 3 | 3B | 78 BPM | ||
Ruslan and Lyudmila, Op. 5: Overture | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | E Minor | 1 | 9A | 154 BPM | ||
Chopin: Piano Concerto No. 1-Romanza | London Festival Orchestra | E Major | 0 | 12B | 84 BPM | ||
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM | ||
The 4 Seasons: Violin Concerto in F minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): I. Allegro non molto | Karoly Botvay | F Minor | 1 | 4A | 151 BPM | ||
Méditation (from Thaïs) | Jules Massenet, London Festival Orchestra, Alberto Lizzio | E Minor | 1 | 9A | 52 BPM | ||
Piazzolla: Libertango | Astor Piazzolla, Alison Balsom, Edward Gardner, Göteborg Symfoniker | A Minor | 3 | 8A | 150 BPM | ||
Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM |
Section: 0.9982843399047852
End: 1.0018339157104492