George Gershwin, Michael Tilson Thomas, Larry Kert, Haskell Gordon, New York Choral Artists made "Let 'Em Eat Cake: Let 'Em Eat Cake" available on 1976. The duration of Let 'Em Eat Cake: Let 'Em Eat Cake is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Let 'Em Eat Cake: Let 'Em Eat Cake's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Gershwin, Michael Tilson Thomas's "Michael Tilson Thomas Conducts Gershwin" album is number 14 out of 90. On top of that, United States appears to be the country where this track was created. In terms of popularity, Let 'Em Eat Cake: Let 'Em Eat Cake is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Let 'Em Eat Cake: Let 'Em Eat Cake by George Gershwin, Michael Tilson Thomas, Larry Kert, Haskell Gordon, New York Choral Artists to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | ||
Little Serenade | Ernest Tomlinson, Slovak Radio Symphony Orchestra | A Major | 0 | 11B | 143 BPM | ||
Clarinet Concerto: 1. Slowly And Expressively | Aaron Copland, Andreas Ottensamer, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F Major | 0 | 7B | 83 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
Introduction and Tarantella, Op. 43 | Pablo de Sarasate, Joshua Bell, Nigel Hess | G Major | 1 | 9B | 106 BPM | ||
Dolly Suite, Op. 56: I. Berceuse. Allegretto moderato (Arr. for Cello & Piano) | Gabriel Fauré, Andreas Brantelid, Bengt Forsberg | E Major | 0 | 12B | 95 BPM | ||
Grand Canyon Suite: 2. The Painted Desert | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | B Minor | 0 | 10A | 129 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
The Garden of Eden: III. The Serpent's Kiss | William Bolcom, Spencer Myer | D Major | 2 | 10B | 113 BPM | ||
Ave Maria, CG 89a | Johann Sebastian Bach, Charles Gounod, Ludmila Peterková, Irina Kondratenko | C Major | 0 | 8B | 133 BPM |
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