On June 8, 2001, the song "L'elisir d'amore: L'Elisir d'amore: Una furtiva lagrima" was released by Gaetano Donizetti, Enrico Caruso, Salvatore Cottone. The duration of L'elisir d'amore: L'Elisir d'amore: Una furtiva lagrima is about 3 minutes long, at 3:21. Based on our data, "L'elisir d'amore: L'Elisir d'amore: Una furtiva lagrima" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 27 in Caruso, Enrico: Complete Recordings, Vol. 1 (1902-1903) by Enrico Caruso. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, L'elisir d'amore: L'Elisir d'amore: Una furtiva lagrima is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of L'elisir d'amore: L'Elisir d'amore: Una furtiva lagrima by Gaetano Donizetti, Enrico Caruso, Salvatore Cottone is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Wally: Ebben? Ne andrò lontana | Alfredo Catalani, Miriam Gauci, Brussels Philharmonic, Ali Rahbari | E Major | 1 | 12B | 88 BPM | ||
Scetate | Sergio Bruni | C Major | 2 | 8B | 93 BPM | ||
Lucia di Lammermoor / Act 3: "S'avanza Enrico" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 0 | 9B | 107 BPM | ||
Les pecheurs de perles (The Pearl Fishers), Act I: Je crois entendre encore, cache sous les palmiers | Georges Bizet, Michael Spyres, Moscow Chamber Orchestra, Constantine Orbelian | A Minor | 0 | 8A | 76 BPM | ||
Les Contes d'Hoffmann / Act II: Barcarolle | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir | D Major | 1 | 10B | 129 BPM | ||
Orchestral Suite No.3 In D Minor, BWV 1068: Aria | The Swingle Singers | D Major | 0 | 10B | 61 BPM | ||
La Passerella d'Addio | Nino Rota | C Major | 4 | 8B | 137 BPM | ||
Largo [Harpsichord Concerto No. 5 in F minor BWV 1056] | The Swingle Singers | D♭ Major | 0 | 3B | 110 BPM | ||
Rusalka, Op. 114 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 3 | 4B | 176 BPM | ||
Ma La Vita Continua - Finale | Nino Rota | A♭ Major | 3 | 4B | 137 BPM |
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