"Eight Poems, Op. 10:3 Die Nacht (The Night)" by Birgit Nilsson, Geoffrey Parsons was released on July 5, 2011. The duration of Eight Poems, Op. 10:3 Die Nacht (The Night) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Eight Poems, Op. 10:3 Die Nacht (The Night)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. Eight Poems, Op. 10:3 Die Nacht (The Night) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Eight Poems, Op. 10:3 Die Nacht (The Night) by Birgit Nilsson, Geoffrey Parsons is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca / Act 3: "Come è lunga l'attesta!" | Giacomo Puccini, Katia Ricciarelli, Berliner Philharmoniker, Herbert von Karajan | A Minor | 1 | 8A | 71 BPM | ||
Massenet: Manon, Act 2 Scene 4: "Adieu, notre petite table" (Manon) | Jules Massenet, Angela Gheorghiu, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, Brussels | G Minor | 0 | 6A | 163 BPM | ||
Elektra, Op.58, TrV 223: "Was willst du, fremder Mensch?" | Richard Strauss, Birgit Nilsson, Tom Krause, Wiener Philharmoniker, Sir Georg Solti | C Minor | 1 | 5A | 88 BPM | ||
Jenufa / Act 1: Co ty, Jenufo | Leoš Janáček, Marie Mrazova, Peter Dvorsky, Elisabeth Söderström, Vaclav Zitek, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Charles Mackerras | A♭ Major | 3 | 4B | 145 BPM | ||
La Cenerentola / Act 1: "Miei rampolli femminini" | Gioachino Rossini, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 3 | 8B | 137 BPM | ||
Tosca / Act 3: "Franchigia a Floria Tosca" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 64 BPM | ||
Götterdämmerung, WWV 86D / Act 2: Heil'ge Götter, himmlische Lenker! | Richard Wagner, Birgit Nilsson, Dietrich Fischer-Dieskau, Wolfgang Windgassen, Claire Watson, Gottlob Frick, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | A♭ Major | 4 | 4B | 124 BPM | ||
Aida, Act 3: "o Patria Mia" | Birgit Nilsson | F Major | 1 | 7B | 85 BPM | ||
Parsifal / Act 2: "Komm, holder Knabe!" | Richard Wagner, Heidi Grant Murphy, Kaaren Erickson, Korliss Uecker, Joyce Guyer, Jane Bunnell, Wendy White, Plácido Domingo, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM |
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