"Eight Poems, Op. 10:3 Die Nacht (The Night)" by Birgit Nilsson, Geoffrey Parsons was released on July 5, 2011. The duration of Eight Poems, Op. 10:3 Die Nacht (The Night) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Eight Poems, Op. 10:3 Die Nacht (The Night)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. Eight Poems, Op. 10:3 Die Nacht (The Night) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Eight Poems, Op. 10:3 Die Nacht (The Night) by Birgit Nilsson, Geoffrey Parsons is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Puccini: Turandot, Act 3 Scene 1: "Che è mai di me? Perduta!" (Turandot, Calaf, Voci lontane) | Giacomo Puccini, Birgit Nilsson, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | E Minor | 1 | 9A | 67 BPM | ||
Five Songs, Op 38:2 På Verandan Vid Havet (On a Balcony by the Sea) | Birgit Nilsson, Janos Solyom | F Major | 1 | 7B | 87 BPM | ||
Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus": "Gloria sit Patri Domino" | Gustav Mahler, Heather Harper, Lucia Popp, Helen Watts, Yvonne Minton, René Kollo, John Shirley-Quirk, Martti Talvela, Wiener Singverein, Vienna Boys' Choir, Vienna State Opera Chorus, Chicago Symphony Orchestra, Sir Georg Solti | E♭ Major | 5 | 5B | 102 BPM | ||
Oberon, J.306 / Act 1: "Warum musst du schlafen" | Carl Maria von Weber, Birgit Nilsson, Bavarian Radio Symphony Orchestra, Rafael Kubelík | E Major | 0 | 12B | 104 BPM | ||
Meyerbeer: Les Huguenots: Et maintenant je dois offrir - Act Two | Giacomo Meyerbeer, Rita Shane, Nicolai Gedda, Jeanette Scovotti, Radio Austria Chorus, Dimiter Petkov, Pedro Farres, Justino Diaz, Enriqueta Tarres | D♭ Major | 6 | 3B | 97 BPM | ||
Elektra, Op.58, TrV 223: "Orest!" | Richard Strauss, Birgit Nilsson, Tom Krause, Wiener Philharmoniker, Sir Georg Solti | A♭ Major | 2 | 4B | 86 BPM | ||
Vier Letzte Lieder (Four Last Songs), Av 150: Iv Im Abendrot (Evening) | Birgit Nilsson | F Major | 1 | 7B | 87 BPM | ||
Six Songs, Op 36:4 Säf, Säf, Susa (Rushes, Whisper!) | Birgit Nilsson, Janos Solyom | F Major | 1 | 7B | 87 BPM | ||
La fille du régiment / Act 1: Pour une femme de mon nom, quel temps, hélas, le temps de guerre! | Gaetano Donizetti, Monica Sinclair, Alan Jones, Jules Bruyere, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 127 BPM | ||
Die Frau ohne Schatten, Op. 65, TrV 234 / Act 2: Was ist nun deine Rede, du Prinzessin...O Tag des - Live | Richard Strauss, Walter Berry, Hans Helm, Lorenzo Alvary, Murray Dickie, Birgit Nilsson, Vienna State Opera Chorus, Karl Böhm, Vienna State Opera Orchestra | B♭ Major | 2 | 6B | 71 BPM |
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