"Magnificat" by Stanley Glasser, The Choir of St George's Chapel, Windsor Castle, Jonathan Rees-Williams had its release date on October 10, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in The Choir of St George's Chapel, Windsor Castle, Roger Judd, Jonathan Rees-Williams's "Magnificat & Nunc dimittis, Vol. 21" album is number 9 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Magnificat is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat by Stanley Glasser, The Choir of St George's Chapel, Windsor Castle, Jonathan Rees-Williams to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Fem Latinske Kirkekor: 1. Jubilate Deo Omnis Terra | Arild Sandvold, Kåre Hanken, Schola Cantorum | A♭ Major | 1 | 4B | 94 BPM | ||
Romanzen und Balladen, Book 1, Op. 67: No. 5. John Anderson | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 100 BPM | ||
Forgotten Peoples / Ingrian Evenings: 1. Röntuska 1 (A Dance Song) | Veljo Tormis, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste | C Major | 1 | 8B | 90 BPM | ||
Come, Let Us Worship, Op. 8, No.2 | Pavel Chesnokov, Conspirare, Craig Hella Johnson | A Major | 2 | 11B | 130 BPM | ||
Exultate Deo (Alessandro Scarlatti) | Sexteto Cantábile | B Major | 2 | 1B | 76 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Spirit of God | Komitas, Latvian Radio Choir, Sigvards Kļava | A Major | 1 | 11B | 177 BPM | ||
Lasciate Mi Morire | Claudio Monteverdi, Grex Vocalis, Carl Høgset | B♭ Major | 1 | 6B | 125 BPM | ||
Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
I Will Lift Mine Eyes | Jake Runestad, Kantorei, Joel Rinsema | D♭ Major | 1 | 3B | 128 BPM |