"Stabat Mater: Fac me vere tecum flere…. Juxta Crucem" by Agostino Steffani, Coro della Radiotelevisione Svizzera, Daniel Behle, I Barocchisti, Diego Fasolis was released on January 1, 2013. The duration of Stabat Mater: Fac me vere tecum flere…. Juxta Crucem is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Stabat Mater: Fac me vere tecum flere…. Juxta Crucem's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Steffani: Stabat Mater". In this album, this song's track order is #7. The popularity of Stabat Mater: Fac me vere tecum flere…. Juxta Crucem is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: Fac me vere tecum flere…. Juxta Crucem by Agostino Steffani, Coro della Radiotelevisione Svizzera, Daniel Behle, I Barocchisti, Diego Fasolis having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Enrico Leone: Augusta principessa quanto devo a la sorte | Agostino Steffani, Capella Agostino Steffani, Lajos Rovatkay, Vokalensemble des Studios für Alte Musik der Hochschule für Musik und Theater Hannover, Ralf Popken, Nagashima Yoko, Dantes Diwiak, Sabine Szameit, Carola Guber | B Major | 1 | 1B | 80 BPM | ||
Vivaldi: Clarae stellae, scintillate, RV 625: "Clarae stellae, scintillate" | Antonio Vivaldi, Philippe Jaroussky, Ensemble Artaserse | B♭ Major | 0 | 6B | 76 BPM | ||
Cavalli: Ercole amante, Act 1: Sinfonia | Francesco Cavalli, Thomas Dunford, Jupiter | F♯ Minor | 1 | 11A | 107 BPM | ||
L'incoronazione di Poppea, SV 308 / Act II: Adagiati, Poppea - Oblivion soave | Claudio Monteverdi, Bernarda Fink, English Baroque Soloists, John Eliot Gardiner | G Minor | 0 | 6A | 106 BPM | ||
Steffani: Niobe, regina di Tebe, Act 1: "Vorrei sempre vagheggiarti" (Niobe) | Agostino Steffani, Philippe Jaroussky, Stephen Stubbs, Boston Early Music Festival Orchestra | C Minor | 1 | 5A | 74 BPM | ||
Singet dem Herrn ein neues Lied, BWV 225: Lobet den Herrn in seinen Taten | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | D♭ Major | 1 | 3B | 76 BPM | ||
Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 1, Aria. "Jauchzet Gott in allen Landen" | Johann Sebastian Bach, Natalie Dessay, Neil Brough, Emmanuelle Haïm, Le Concert d'Astrée | B Major | 1 | 1B | 87 BPM | ||
Ouverture "La Bizarre", en Sol Majeur: Ouverture "La Bizarre", en Sol Majeur: VI. Fantaisie | Georg Philipp Telemann, Akademie für Alte Musik Berlin | F♯ Major | 3 | 2B | 128 BPM | ||
Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
Porpora: Mitridate: La gioia ch'io sento | Colley Cibber, Philippe Jaroussky, Cecilia Bartoli, Andrea Marcon, Venice Baroque Orchestra | A♭ Major | 2 | 4B | 86 BPM |
Section: 0.5511078834533691
End: 0.5555920600891113