"Violin Concerto, Op. 15: 1. Moderato con moto" by Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi was released on January 1, 2009. Since Violin Concerto, Op. 15: 1. Moderato con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 7 in Beethoven & Britten: Violin Concertos by Janine Jansen, Deutsche Kammerphilharmonie Bremen, London Symphony Orchestra, Paavo Järvi. Violin Concerto, Op. 15: 1. Moderato con moto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto, Op. 15: 1. Moderato con moto by Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eine Alpensinfonie: VIII. Stille vor den Sturm - Gewitter und Sturm, Abstieg - Sonnenuntergang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Major | 2 | 2B | 73 BPM | ||
Pelléas et Mélisande, Op.80: 1. Prélude | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 134 BPM | ||
Symphony No. 5 in D Minor, Op. 107, MWV N 15 "Reformation": III. Andante | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | G Minor | 0 | 6A | 67 BPM | ||
The Firebird, KC 10: II. Apparition de l'oiseau de feu - Danse de l'oiseau de feu - Capture de l'oiseau de feu | Igor Stravinsky, London Symphony Orchestra, Valery Gergiev | F♯ Minor | 1 | 11A | 100 BPM | ||
Violin Concerto in D Major: II. Aria I | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Hilary Hahn | D Minor | 1 | 7A | 96 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 74 BPM | ||
The Ash Grove | Traditional, Sir Peter Pears, Benjamin Britten | A♭ Major | 1 | 4B | 94 BPM | ||
Suite No. 2, Op. 80: V. Ciaccona. Allegro | Benjamin Britten, Jean-Guihen Queyras | G Major | 1 | 9B | 87 BPM | ||
The Firebird: 14. Lullaby of the Firebird | Igor Stravinsky, Detroit Symphony Orchestra, Antal Doráti | E♭ Minor | 0 | 2A | 65 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM |
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